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The people, yes Book

The people, yes
The people, yes, The People, Yes. Photographs by Jerome Liebling. Foreword by Carroll T. Hartwell; Introduction by Ken Burns. The People, Yes represents a wonderfully diverse 50year photographic career, collecting a body of startling, compassionate images of the people an, The people, yes has a rating of 4 stars
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The people, yes, The People, Yes. Photographs by Jerome Liebling. Foreword by Carroll T. Hartwell; Introduction by Ken Burns. The People, Yes represents a wonderfully diverse 50year photographic career, collecting a body of startling, compassionate images of the people an, The people, yes
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  • The people, yes
  • Written by author Jerome Liebling; foreword by Carroll T. Hartwell; introd. by Ken Burns
  • Published by New York, N.Y. : Aperture, c1995., 1996/04/01
  • The People, Yes. Photographs by Jerome Liebling. Foreword by Carroll T. Hartwell; Introduction by Ken Burns. The People, Yes represents a wonderfully diverse 50year photographic career, collecting a body of startling, compassionate images of the people an
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The People, Yes. Photographs by Jerome Liebling. Foreword by Carroll T. Hartwell; Introduction by Ken Burns. The People, Yes represents a wonderfully diverse 50year photographic career, collecting a body of startling, compassionate images of the people and places Jerome Liebling has known, among them New York's Lower East Side in the 1940s; Emily Dickinson's Amherst; Native Americans; and a Shaker community. 85 blackandwhite duotone and 25 fourcolor photographs, 9 9/16 X 11 3/8, 128 pages. Hardcover.

"His documentary photographs rely on the traditional, humanistic beliefmay it never leave usthat meaning is implicit in the world and that personal feeling can be given form on film... Liebling's view is sympathetic, skeptical, and tougha harsh poetics of the human condition."

Vicki Goldberg, American Photo

"One of the most sensitive and original chroniclers of postwar American life... There's much that's left to the imagination and much revealed. These are the photographic equivalents of Raymond Carver's short storiesfleeting, poetic glimpses of the tragedy of American life."

Jane Richards, The Guardian


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