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| Introduction | xiii | |
| Part 1 | Foundations | |
| Trick Effects (1907) | 2 | |
| Mr. Wells Reviews a Current Film (1927) | 5 | |
| Metropolis (1927) | 13 | |
| Wells the Visionary (1936) | 16 | |
| Part 2 | Adventures in Outer Space | |
| Frau im Mond (The Woman in the Moon) (1929) | 20 | |
| Destination Moon: Real Science Fiction and the Real World (2004) | 22 | |
| Moon Pilot (2004) | 33 | |
| Starship Troopers (1998) | 41 | |
| Part 3 | The 1950s | |
| The Day the Earth Stood Still: Interview with Robert Wise (1988) | 50 | |
| "This Means Something!" Invaders from Mars (2004) | 60 | |
| U-I Sci-Fi: Studio Aesthetics and 1950s Metaphysics (2004) | 68 | |
| Part 4 | Imagining Disaster | |
| The Imagination of Disaster (1965) | 98 | |
| D is for Doomsday: Five (2004) | 114 | |
| Don Siegel on the Pod Society (1976) | 132 | |
| Nearer My Pod to Thee (1994) | 140 | |
| Part 5 | The 1960s | |
| The Damned (2004) | 146 | |
| Intonation Please: The Creation of the Humanoids (2004) | 153 | |
| Signifying Monkeys: Politics and Story-Telling in The Planet of the Apes Series (2004) | 165 | |
| Part 6 | Kubrick and Others | |
| The Myth of 2001 (1969) | 178 | |
| Alien Encounters: Science Fiction and the Mysterium in 2001, Solaris, and Contact (2004) | 181 | |
| Juice from A Clockwork Orange (1972) | 210 | |
| The Best of Both Worlds: A.I. Artificial Intelligence (2001) | 215 | |
| Part 7 | Star Wars | |
| "The Man Understands the Metaphor": Joseph Campbell on Star Wars (1990) | 226 | |
| Not So Long Ago and Far Away: Star Wars, Republics and Empires of Tomorrow (2004) | 229 | |
| Part 8 | E.T. The Extra-Terrestrial | |
| Steven Spielberg on E.T. (2004) | 254 | |
| The Pure and the Impure (1982) | 261 | |
| Well, I Don't Love You, E.T. (1982) | 266 | |
| Part 9 | The Films of Philip K. Dick | |
| "They Did Sight Stimulation on My Brain": Philip K. Dick on Blade Runner (1984, 1991) | 270 | |
| Blade Runner (1986) | 280 | |
| "I Think, Therefore I Am"--Cartesian Motifs in the Filmed Science Fiction of Philip K. Dick (2004) | 287 | |
| Part 10 | Cyborg Cinema | |
| Colossus: The Forbin Project (1970) | 312 | |
| Bodies Without Organs: Cyborg Cinema of the 1980s (1995/2004) | 315 | |
| Reproducing Ripley (2001/2004) | 335 | |
| Part 11 | Travels in Time and Place | |
| Modernity and Mise-en-Scene: Terry Gilliam and Brazil (1998) | 344 | |
| Time Travel and Spectatorship in 12 Monkeys and Strange Days (2001) | 355 | |
| The Philosophy of Time Travel: Back to the Future Again, or The Last Temptation of Donnie Darko (2004) | 369 | |
| Part 12 | Gods and Aliens | |
| Joe Dante's American Apocalypse (1999) | 382 | |
| Discourse on Sovereignity: The Truman Show (2001) | 386 | |
| Real Men Wear Black: The Men in Black Films (2004) | 390 | |
| Signs of Spiritual Life (or Why You Are the Alien Species) (2004) | 397 | |
| The Matrix, or the Two Sides of Perversion (2002) | 406 | |
| Contributors | 429 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Jimmy Kellum
reviewed The Science Fiction Film Reader on September 26, 2013 The Science Fiction Film Reader
Interesting articles and papers that cover Sci-Fi from the early silent films through the modern films of the Truman Show and Matrix. It is very dry, but anyone more interested in the genre should read.
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