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Illustrations vii
Acknowledgments xi
Introduction: Adrian Piper's Performance of Race and the Moral Question of Racism 1
Section 1 The Paradox of the Black Woman Conceptual Artist 1965-1970
1 Contingent and Universal: Adrian Piper and the Minimalist Ideal 33
2 Hypothesis: Modernism and the Woman Artist's Studio 69
Section 2 Personal Politics and Performance Art 1970-1975
3 May 1970: Art and Activism 125
4 Catalysis: Feminist Art and Experience 162
5 Food for the Spirit: Transcendence and Desire 205
6 "Acting Like a Man": The Mythic Being and Black Feminism 229
Conclusion: The Mythic Being and the Aesthetics of Direct Address 257
Notes 263
Bibliography 299
Index 319
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Add Adrian Piper: Race, Gender, and Embodiment, In 1972 the artist Adrian Piper began periodically dressing as a persona called the Mythic Being, striding the streets of New York in a mustache, Afro wig, and mirrored sunglasses with a cigar in the corner of her mouth. Her Mythic Being performances crit, Adrian Piper: Race, Gender, and Embodiment to the inventory that you are selling on WonderClubX
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Add Adrian Piper: Race, Gender, and Embodiment, In 1972 the artist Adrian Piper began periodically dressing as a persona called the Mythic Being, striding the streets of New York in a mustache, Afro wig, and mirrored sunglasses with a cigar in the corner of her mouth. Her Mythic Being performances crit, Adrian Piper: Race, Gender, and Embodiment to your collection on WonderClub |