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Acknowledgments | ||
Down to the Crossroads: A Preface | ||
1 | "Compared to What?": Toward an African-American Modernist Discourse | 1 |
2 | Blues and the Abstract Truth: The Politics of Abandonment and Democratic Vistas of Descent in Afro-Modernism | 79 |
3 | Come On in My Kitchen: The Communal Underground in Zora Neale Hurston's Diasporic Modernism | 174 |
4 | Follow Me into a Solo: Jazz, History, and Reckoning with Diasporic Dissociation in James Baldwin and David Bradley | 244 |
Works Cited | 287 | |
Poetry Permissions | 303 | |
Index | 305 |
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