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Introduction | 13 | |
An Opening Focus: The History of Indian Contemporary Painting | 19 | |
The Aesthetic Framework | 80 | |
A Pictorial Survey | 92 | |
An Essay | 183 | |
Pre-1900: First Steps | ||
1900-21: Roots of Indian Modernism: The Bengal School | ||
1922-29: The Foundation Diversifies: Individual Pioneers | ||
1930-37: Depth and Growth: Rabindranath Tagore's Santiniketan | ||
1938-47: A Bold Palette: Amrita Sher-Gil. Interaction with Modern European Art Increases | ||
1948-55: Energy, Infrastructure Et Freedom | ||
1956-63: A Search Within: The Consolidation of Western Influences | ||
Portfolio: An Abstract Focus 1960-70s | ||
1964-72: An Indian Identity Clarifies | ||
1973-82: Inner and Outer Clarity: Postmodernism Reaffirms Continuity | ||
Portfolio: A Figurative Focus 1980-90s | ||
1983-96: International Assimilation and a Uniquely-Universal Foundation | ||
Conversations with Artists | 280 | |
Badrinarayan | ||
Prabhakar Barwe | ||
Jogen Chowdhury | ||
Biren De | ||
Satish Gujral | ||
Ganesh Haloi | ||
Krishna K. Hebbar | ||
Somnath Hore | ||
Maqbool Fida Husain | ||
Sanat Kar | ||
Bhupen Khakhar | ||
Krishen Khanna | ||
Prabhakar Kolte | ||
Achuthan Kudallur | ||
Nalini Malani | ||
Tyeb Mehta | ||
Anjolie Ela Menon | ||
Reddeppa Naidu | ||
Akbar Padamsee | ||
Manu Parekh | ||
Gieve Patel | ||
Sudhir Patwardhan | ||
Ganesh Pyne | ||
A. Ramachandran | ||
Ramkumar | ||
Jehangir Sabavala | ||
Ghulam R. Santosh | ||
Bhabesh C. Sanyal | ||
Paritosh Sen | ||
Gulam m. Sheikh | ||
Laxman Shreshtha | ||
Arpita Singh | ||
Francis Newton Souza | ||
Vivan Sundaram | ||
Jagdish Swaminathan | ||
Appendix | 402 |
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