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Introduction : seeing ancient Athens | 1 | |
1 | Rhetorical performance and the contest for fame | 15 |
2 | Establishing rhetoric : Solon of Athens I | 36 |
3 | Producing a space : Solon of Athens II | 56 |
4 | Staging a tyranny : histrionic rhetoric under the Peisistratids | 84 |
5 | Weaving the city : Cleisthenes binds the demos | 106 |
6 | Smashing boundaries : oppositional rhetoric and the herm-choppers | 134 |
7 | Acting hard : Demosthenes practices citizenship | 157 |
8 | Conclusion : seeing rhetorical means | 182 |
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Add Rhetorical Action in Ancient Athens: Persuasive Artistry from Solon to Demosthenes, James Fredal's wide-ranging survey examines the spatial and performative features of rhetorical artistry in ancient Athens from Solon to Demosthenes, demonstrating how persuasive skill depended not on written treatises, but on the reproduction of spaces a, Rhetorical Action in Ancient Athens: Persuasive Artistry from Solon to Demosthenes to the inventory that you are selling on WonderClubX
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Add Rhetorical Action in Ancient Athens: Persuasive Artistry from Solon to Demosthenes, James Fredal's wide-ranging survey examines the spatial and performative features of rhetorical artistry in ancient Athens from Solon to Demosthenes, demonstrating how persuasive skill depended not on written treatises, but on the reproduction of spaces a, Rhetorical Action in Ancient Athens: Persuasive Artistry from Solon to Demosthenes to your collection on WonderClub |