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Preface | ||
Pt. I | Historical, Contemporary, and Celestial Models for the Musical and Scientific Revolution in the Age of Galileo | |
Music and Philosophy in Early Modern Science | 3 | |
Beats and the Origins of Early Modern Science | 17 | |
Music and the Crisis of Seventeenth-Century Europe | 35 | |
Kepler, Galilei, and the Harmony of the World | 45 | |
Pt. II | Symbolical and Philosophical Perspectives on Galileo and Music | |
The Artistic Patronage of the Barberini and the Galileo Affair | 67 | |
Musical Myth and Galilean Science in Giovanni Serodine's Allegoria della scienza | 91 | |
Tickles, Titillations, and the Wonderful Accidents of Sounds: Galileo and the Consonances | 115 | |
Galileo and the Demise of Pythagoreanism | 129 | |
Pt. III | The Musical Background of Seventeenth-Century Science: Theory, Practice, and Craftsmanship | |
Was Galileo's Father an Experimental Scientist? | 143 | |
Vincenzo Galilei in Rome: His First Book of Lute Music (1563) and its Cultural Context | 153 | |
Six Seventeenth-Century Dutch Scientists and their Knowledge of Music | 185 | |
In Tune with the Universe: The Physics and Metaphysics of Galileo's Lute | 211 | |
Contributors | 241 | |
Index | 243 |
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