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Book Categories |
Tables | ||
Figures | ||
Preface and Acknowledgments | ||
Abbreviations | ||
Illustrations | ||
1 | Compilatio, Physical Layout, and Decoration: Touchstones | 3 |
2 | Romance, Nonromance, and Conventions of Manuscript Layout and Decoration: A Survey of Some Collections | 15 |
3 | Romances in Composite Manuscript Contexts I: Sir Isumbras, the "Isumbras-Group," and Homiletic Romance | 51 |
4 | Romances in Composite Manuscript Contexts II: Sir Degare, Sir Orfeo, and the Middle English Lay | 83 |
5 | The Rhetoric of Composite Structure, or Rereading Middle English Romance: Conclusions | 103 |
Appendix: Lists of Data and Contents for Each Manuscript | 115 | |
Notes | 163 | |
Bibliography | 187 | |
Index | 197 |
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![]() Add Rereading Middle English Romance : Manuscript Layout, Decoration and the Rhetoric of Composite Structure, With reference to features of layout and decoration, Evans interprets Guy of Warwick as a composite work, not separate works as some scholars suggest. Examining Sir Isumbras as a homiletic romance, and Sir Degaré and Sir Orfeo as Middle English lays, he s, Rereading Middle English Romance : Manuscript Layout, Decoration and the Rhetoric of Composite Structure to the inventory that you are selling on WonderClubX
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![]() Add Rereading Middle English Romance : Manuscript Layout, Decoration and the Rhetoric of Composite Structure, With reference to features of layout and decoration, Evans interprets Guy of Warwick as a composite work, not separate works as some scholars suggest. Examining Sir Isumbras as a homiletic romance, and Sir Degaré and Sir Orfeo as Middle English lays, he s, Rereading Middle English Romance : Manuscript Layout, Decoration and the Rhetoric of Composite Structure to your collection on WonderClub |