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From Book to Screen: Modern Japanese Literature in Films Book

From Book to Screen: Modern Japanese Literature in Films
From Book to Screen: Modern Japanese Literature in Films, Of all the world's cinemas, Japan's is perhaps unique in its closeness to the nation's literature, past and contemporary. The Western world became aware of this when Akira Kurosawa's Rashomon was awarded the Grand Prize at the Venice film festival in 1951, From Book to Screen: Modern Japanese Literature in Films has a rating of 4 stars
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From Book to Screen: Modern Japanese Literature in Films, Of all the world's cinemas, Japan's is perhaps unique in its closeness to the nation's literature, past and contemporary. The Western world became aware of this when Akira Kurosawa's Rashomon was awarded the Grand Prize at the Venice film festival in 1951, From Book to Screen: Modern Japanese Literature in Films
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  • From Book to Screen: Modern Japanese Literature in Films
  • Written by author Keiko I. McDonald
  • Published by Sharpe, M. E. Inc., December 1999
  • Of all the world's cinemas, Japan's is perhaps unique in its closeness to the nation's literature, past and contemporary. The Western world became aware of this when Akira Kurosawa's Rashomon was awarded the Grand Prize at the Venice film festival in 1951
  • Of all the world's cinemas, Japan's is perhaps unique in its closeness to the nation's literature, past and contemporary. The Western world became aware of this when Akira Kurosawa's Rashomon was awarded the Grand Prize at the Venice film festival in 1951
Digital Copy
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1 available   for $99.99
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Acknowledgments
Introduction
Pt. IShifts in Creative Emphasis
1The Camera Looks at Melodrama: 1908-19203
2Literature More "Pure" Than "Popular": 1935-194117
3More Freedoms, More Troubles: 1951-195946
Pt. IIWriting as Directed: A Re-creative Enterprise
4A Lyrical Novella Revamped: Gosho's Izu Dancer (1933)85
5Freedom to Stray from the Straight and Narrow: Mizoguchi's Lady Musashino (1951)99
6Religion and Politics: Kumai's The Sea and Poison (1986)117
7The Modern Outcast State: Ichikawa's The Broken Commandment (1962)138
8Cuts in Plot and Characters: Higashi's A River with No Bridge (1992)159
9More of a Just-So Story: Shimazu's The Story of Shunkin (1935)178
10Differently True: Toyoda's A Strange Tale from East of the River (1960)196
11Living the Postwar Life: Naruse's Older Brother, Younger Sister (1953)221
12The Pain of Emancipation: Shinoda's Maihime (1989)237
13Back to the Mirror of the Past: Morita's Sorekara (1985)256
14Stylistic Experiment: Teshigahara's The Face of Another (1966)269
15Rehearsing Death: Takabayashi's The Temple of the Golden Pavilion (1976)287
Conclusion312
Selected Bibliography315
Index319


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From Book to Screen: Modern Japanese Literature in Films, Of all the world's cinemas, Japan's is perhaps unique in its closeness to the nation's literature, past and contemporary. The Western world became aware of this when Akira Kurosawa's Rashomon was awarded the Grand Prize at the Venice film festival in 1951, From Book to Screen: Modern Japanese Literature in Films

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From Book to Screen: Modern Japanese Literature in Films, Of all the world's cinemas, Japan's is perhaps unique in its closeness to the nation's literature, past and contemporary. The Western world became aware of this when Akira Kurosawa's Rashomon was awarded the Grand Prize at the Venice film festival in 1951, From Book to Screen: Modern Japanese Literature in Films

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From Book to Screen: Modern Japanese Literature in Films, Of all the world's cinemas, Japan's is perhaps unique in its closeness to the nation's literature, past and contemporary. The Western world became aware of this when Akira Kurosawa's Rashomon was awarded the Grand Prize at the Venice film festival in 1951, From Book to Screen: Modern Japanese Literature in Films

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