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When I was a lad twenty or thirty or forty years ago I lived in a small town where they were all after me on account of what I done on Mrs. Nugent.
Welcome to the mind of Francie Brady. Just what Francie did to Mrs. Nugent is the final, terrifying act of a young boy at the end of a relentless descent into a world of scorn and fear, brought to unforgettably vivid life in this tour-de-force performance by author Patrick McCabe.
Francie Brady, the "pig boy," is growing up in a poor small Irish town in the early sixties, fueled on an adolescent's comic books, Flash Bars, and John Wayne movies. He is determined to win the Francie Brady Not a Bad Bastard Anymore Diploma. But how do you do that when your mother is sent to the madhouse, your father is an alcoholic, and everyone turns their back on you?
Soon to be a major motion picture from Neil Jordan (Interview with the Vampire, The Crying Game), and read with the bravura performance style that...
Francie Brady is a disaffected, working-class, Roman Catholic teenager living in Northern Ireland. His alcoholic father works in the local slaughterhouse and his mother, despite being a whir of household efficiency, is suicidal. The latest phase of the ``troubles'' in Ireland have not yet formally begun--it is the early '60s--but Francie is nonetheless caught in a cycle of pride, envy and poverty aggravated by the ancient conflict between Protestants and Catholics. The book opens with Francie remembering: ``When I was a young lad twenty or thirty or forty years ago I lived in a small town where they were after me on account of what I done on Mrs Nugent.'' By its end, young Francie has dispatched Mrs Nugent and earned his eponymous nickname. The Nugents, a prosperous Protestant family, have it all, in Francie's eyes: their son Philip goes to private school and takes music lessons; their home is carpeted and the telly works. Francie begins by playing pranks on the family--swindling Philip out of his comic books, defecating in their house when they are away. But when he bludgeons Philip's brother in a fight, Francie loses his closest friend, who then befriends the Nugent family. Then the violence escalates. Deservedly, Butcher Boy won the 1992 Irish Times -Aer Lingus Award and was shortlisted for Britain's 1992 Booker Prize. McCabe's Francie speaks in a rich vernacular spirited by the brassy and endearing rhythms of perpetual delinquency; even in his gradual unhinging, Francie remains a winning raconteur. By looking so deeply into Francie's soul, McCabe ( Music on Clinton Street ) subtly sugggests a common source for political and personal violence--lack of love and hope. Major ad/promo; ABA appearance. (May)
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