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Book Categories |
1 | Placing Shakespeare painting | 1 |
2 | Play, iconography and social discourse in Hogarth's Shakespeare | 37 |
3 | Landscape, readership and convention, 1740-90 | 61 |
4 | Fuseli and the uses of iconography | 98 |
5 | George Romney : meditations of a volatile fancy | 133 |
6 | 'Shakespeare in riper years gave me his hand' : William Blake | 159 |
7 | 'General ideas and the familiar pathetic' : neo-classical Shakespeare and Joshua Reynolds | 186 |
8 | Fuseli, nature and supernature | 219 |
9 | 'A magnificent scheme, if it can but be effected' : Boydell, criticism and appropriation | 254 |
10 | Summations and departures | 300 |
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Add Painting Shakespeare: The Artist as Critic, 1720-1820, Painting Shakespeare explores the tradition of critical and interpretive painting and engraving that developed when eighteenth-century artists rejected the depiction of Shakespeare's plays in performance to produce images based on the new scholarly editio, Painting Shakespeare: The Artist as Critic, 1720-1820 to the inventory that you are selling on WonderClubX
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Add Painting Shakespeare: The Artist as Critic, 1720-1820, Painting Shakespeare explores the tradition of critical and interpretive painting and engraving that developed when eighteenth-century artists rejected the depiction of Shakespeare's plays in performance to produce images based on the new scholarly editio, Painting Shakespeare: The Artist as Critic, 1720-1820 to your collection on WonderClub |