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Illustrations | ||
Acknowledgments | ||
Introduction | 1 | |
Ch. 1 | San Lorenzo Facade | 9 |
I | Michelangelo Becomes an Architect | 9 |
II | Where to Quarry | 15 |
III | To the Quarries | 25 |
IV | In the Quarries | 37 |
V | From the Quarries to Florence | 43 |
VI | In Florence | 62 |
VII | A Man-Made Mountain | 70 |
Ch. 2 | Medici Chapel | 75 |
I | From Facade to Mausoleum | 75 |
II | Second Beginning | 87 |
III | At Work | 111 |
IV | Assigning Tasks | 122 |
Ch. 3 | Laurentian Library | 135 |
I | A Library for a Pope | 135 |
II | Chain of Command | 137 |
III | Building Begins | 141 |
IV | Materials of Decoration | 147 |
V | The Building Rises | 156 |
VI | Progress and Interruption | 181 |
Conclusion | 187 | |
Appendix | 195 | |
Notes | 201 | |
Bibliography | 243 | |
Index | 254 |
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Add Michelangelo at San Lorenzo, This book amends a common misconception about one of the greatest Renaissance masters, who has been characterized since his own day as incapable of effective collaboration. This study focuses on San Lorenzo, a key Florentine monument of the Renaissance, w, Michelangelo at San Lorenzo to the inventory that you are selling on WonderClubX
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Add Michelangelo at San Lorenzo, This book amends a common misconception about one of the greatest Renaissance masters, who has been characterized since his own day as incapable of effective collaboration. This study focuses on San Lorenzo, a key Florentine monument of the Renaissance, w, Michelangelo at San Lorenzo to your collection on WonderClub |