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Preface to the new edition | ||
Acknowledgements | ||
1 | Introduction | 1 |
Historical approaches | 2 | |
Contemporary concerns | 9 | |
2 | Theories of Reading and Viewing | 20 |
Starting with Brecht | 21 | |
Reader-response theory | 34 | |
Other approaches to the reader | 55 | |
Semiotics and post-structuralism in theatre and film studies | 67 | |
3 | The Audience and Theatre | 86 |
Culture and the idea of the theatrical event | 86 | |
Selection: the relationship between production and reception | 106 | |
On the threshold of theatre | 125 | |
Performance | 139 | |
Post-performance | 163 | |
4 | Spectatorship Across Culture | 166 |
Fascination and obsession | 166 | |
Translation and meaning | 191 | |
Intercultural exchange | 196 | |
Reviewing spectatorship | 201 | |
5 | Conclusion | 204 |
Appendix | 214 | |
Notes | 216 | |
Bibliography | 223 | |
Index | 241 |
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Add Theatre Audiences, Susan Bennett's highly successful Theatre Audiences is a unique full-length study of the audience as cultural phenomenon, which looks at both theories of spectatorship and the practice of different theatres and their audiences. P, Theatre Audiences to your collection on WonderClub |