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Preface | ||
I | Theories, Techniques, and Resources | 1 |
1 | Background | 11 |
2 | Energizing Weaker Productions: The Tempest | 27 |
3 | Student Writing: Contexts and Vocabulary | 43 |
4 | Some Extra-Shakespearean Contexts | 61 |
5 | Basic Resources | 69 |
6 | Recent Critical Work on Shakespeare on Film | 83 |
II | Applications | 105 |
7 | Genre and Production: The Madhouse Scene in Twelfth Night (4.2) | 109 |
8 | Editing for Film: The 1995 Othello | 121 |
9 | Playing against the Allusion: A Midwinter's Tale and Hamlet | 133 |
10 | Mise-en-scene: Christine Edzard's As You Like It and Richard Loncraine's Richard III | 137 |
11 | Hamlet on Film | 149 |
12 | Pistol in History | 171 |
Selected Bibliography | 181 | |
Index | 183 |
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Add Teaching Shakespeare with Film and Television: A Guide, Shakespeare is one of the world's most widely taught and most demanding authors. Fortunately, many of his plays have been adapted for film and television, and these productions are a valuable aid for helping students understand and respond to his works. T, Teaching Shakespeare with Film and Television: A Guide to the inventory that you are selling on WonderClubX
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Add Teaching Shakespeare with Film and Television: A Guide, Shakespeare is one of the world's most widely taught and most demanding authors. Fortunately, many of his plays have been adapted for film and television, and these productions are a valuable aid for helping students understand and respond to his works. T, Teaching Shakespeare with Film and Television: A Guide to your collection on WonderClub |