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Preface and Acknowledgments | ||
Ch. 1 | In the Darkness | |
I | The Privations of Night and the Origins of Poiesis | 1 |
II | Laughter, Weeping, and the Order of the Senses | 17 |
III | The Lyric Eidos | 38 |
Ch. 2 | Sound | |
I | Dynamics of Poetic Sound | 59 |
II | Hopkins: Invocation and Listening | 90 |
Ch. 3 | Voice and Possession | |
I | The Beloved's Voice | 107 |
II | Three Cases of Lyric Possession | 124 |
Ch. 4 | Facing, Touch, and Vertigo | |
I | The Experience of Beholding | 145 |
II | Touch in Aesthetic Forms | 160 |
III | Vertigo: The Legacy of Baroque Ecstasy | 178 |
Ch. 5 | The Forms and Numbers of Time | |
I | The Deictic Now | 197 |
II | Traces of Human Motion: The Ubi Sunt Tradition | 208 |
III | Meditation and Number: Traherne's Centuries | 227 |
IV | The Problem of Poetic History | 242 |
Ch. 6 | Out of the Darkness: Nocturnes | |
I | Finch's Transformation of the Night Work | 255 |
II | The Emergence of a Nocturne Tradition | 280 |
Ch. 7 | Lyric counter Epic | |
I | War and the Alienation of the Senses | 293 |
II | Two Lyric Critiques of Epic: Brooks and Walcott | 309 |
Afterborn | 327 | |
Notes | 335 | |
References | 389 | |
Index of Poems | 429 | |
General Index | 433 |
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Add Poetry and the Fate of the Senses, What is the role of the senses in the creation and reception of poetry? How does poetry carry on the long tradition of making experience and suffering understood by others? With Poetry and the Fate of the Senses, Susan Stewart traces the path of th, Poetry and the Fate of the Senses to the inventory that you are selling on WonderClubX
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Add Poetry and the Fate of the Senses, What is the role of the senses in the creation and reception of poetry? How does poetry carry on the long tradition of making experience and suffering understood by others? With Poetry and the Fate of the Senses, Susan Stewart traces the path of th, Poetry and the Fate of the Senses to your collection on WonderClub |