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| Abbreviations | ||
| Introduction | 1 | |
| 1 | Symbolist Beginnings | 13 |
| Early Writings: 1886-90 | 14 | |
| A Decadent Poet: Serres chaudes (1889) | 26 | |
| Language and Silence: Towards a Theatre of the Unspoken | 34 | |
| Possible Theatres: Le Cahier Bleu and Revenge Tragedy | 40 | |
| 2 | La Princesse Maleine and Symbolist Theatre | 48 |
| A Precursor: Villiers de l'Isle-Adam | 51 | |
| The Search for a Symbolist Theatre | 57 | |
| Towards a Consensus: Theatre and the Public | 67 | |
| 'Le seul drame a faire ...': Symbolism and 'Universal' Theatre | 72 | |
| La Princesse Maleine | 77 | |
| 3 | Maeterlinck, Mallarme, and Symbolist Dramatic Theory | 90 |
| The Trouble with Theatre | 95 | |
| Theatre and Theatricality | 98 | |
| Actors, Androids, and Marionettes | 105 | |
| Theatre as Event | 118 | |
| 4 | Theatre and the Invisible Principle: Pelleas Et Melisande | 125 |
| Discontinuous Melodrama | 127 | |
| Character (In)Action | 134 | |
| Puppet Theatre and Theatre of Shadows | 151 | |
| Symbolism and Interpretation | 154 | |
| A Closed Universe | 159 | |
| Mallarme Reading Pelleas | 162 | |
| 5 | Using the Stage | 169 |
| Form in Suspense | 171 | |
| Spatial Relations and the Perception of Space in Les Aveugles | 175 | |
| Space Besieged | 187 | |
| Staging the Invisible | 198 | |
| Staging Theatre: Interieur | 202 | |
| A Theatre of Waiting | 213 | |
| 6 | The Fecund Interval: 'Le Tragique Quotidien' | 217 |
| Theatre, Anti-theatre, and Non-theatre | 220 | |
| The Everyday Transfigured | 225 | |
| 'L'Inconnu' | 229 | |
| Static Theatre | 235 | |
| 'Second degree dialogue' and the 'troisieme personnage' | 240 | |
| Language and Silence in the Theatre | 248 | |
| Conclusion | 254 | |
| Select Bibliography | 259 | |
| Index | 267 |
| Price | Condition | Delivery | Seller | Action |
| $135.00 | Digital |
| WonderClub |
Ronald Susmarski
reviewed Maurice Maeterlinck and the Making of Modern Theatre on October 30, 2009
Maurice Maeterlinck and the Making of Modern Theatre
A great reprint of this historical philosopher cultural character and France history about what we think of Catholicism , Renaissance or calvinisme.
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Add Maurice Maeterlinck and the Making of Modern Theatre, Maurice Maeterlinck has been called the 'prodigal father' of modern theatre. As Rilke put it, he shifted theatre's center of gravity, replacing action with inaction, events with the eventless, and dialogue with an expressive semantics of silence. Thi, Maurice Maeterlinck and the Making of Modern Theatre to the inventory that you are selling on WonderClubX
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Add Maurice Maeterlinck and the Making of Modern Theatre, Maurice Maeterlinck has been called the 'prodigal father' of modern theatre. As Rilke put it, he shifted theatre's center of gravity, replacing action with inaction, events with the eventless, and dialogue with an expressive semantics of silence. Thi, Maurice Maeterlinck and the Making of Modern Theatre to your collection on WonderClub |
