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Book Categories |
Preface | ||
A Note on the Illustrations | ||
Introduction | 1 | |
1 | Atrocity into Words | 25 |
2 | Genre and Post-Hiroshima Representation | 45 |
3 | The Three Debates | 83 |
4 | Hara Tamiki and the Documentary Fallacy | 125 |
5 | Poetry Against Itself | 155 |
6 | Ota Yoko and the Place of the Narrator | 199 |
7 | Oe Kenzaburo: Humanism and Hiroshima | 229 |
8 | Ibuse Masuji: Nature, Nostalgia, Memory | 261 |
9 | Nagasaki and the Human Future | 301 |
10 | The Atomic, the Nuclear, and the Total: Oda Makoto | 351 |
11 | Concluding Remarks: And Then | 397 |
Notes | 403 | |
References | 447 | |
Index | 475 |
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Add Writing Ground Zero: Japanese Literature and the Atomic Bomb, From Einstein and Truman to Sartre and Derrida, many have declared the atomic bombings of Hiroshima and Nagasaki to be decisive events in human history. None, however, have more acutely understood or perceptively critiqued the consequences of nuclear war , Writing Ground Zero: Japanese Literature and the Atomic Bomb to the inventory that you are selling on WonderClubX
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Add Writing Ground Zero: Japanese Literature and the Atomic Bomb, From Einstein and Truman to Sartre and Derrida, many have declared the atomic bombings of Hiroshima and Nagasaki to be decisive events in human history. None, however, have more acutely understood or perceptively critiqued the consequences of nuclear war , Writing Ground Zero: Japanese Literature and the Atomic Bomb to your collection on WonderClub |