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| Acknowledgments | ||
| Notes on Contributors | ||
| Introduction to New Edition | 1 | |
| Introduction to 1978 Edition | 15 | |
| 1 | Klute 1: A Contemporary Film Noir and Feminist Criticism | 20 |
| 2 | Woman's Place: The Absent Family of Film Noir | 35 |
| 3 | Women in Film Noir | 47 |
| 4 | Duplicity in Mildred Pierce | 69 |
| 5 | The Place of Women in Fritz Lang's The Blue Gardenia | 81 |
| 6 | Double Indemnity | 89 |
| 7 | Klute 2: Feminism and Klute | 99 |
| 8 | Resistance through Charisma: Rita Hayworth and Gilda | 115 |
| 9 | Postscript: Queers and Women in Film Noir | 123 |
| 10 | Female Spectator, Lesbian Spectre: The Haunting | 130 |
| 11 | Femme Fatale or Lesbian Femme: Bound in Sexual Differance | 151 |
| 12 | The Postmodern Always Rings Twice: Constructing the Femme Fatale in 90s Cinema | 164 |
| 13 | The 'Dark Continent' of Film Noir: Race, Displacement and Metaphor in Tourneur's Cat People (1942) and Welles' The Lady from Shanghai (1948) | 183 |
| 14 | 'Gilda Didn't Do Any of Those Things You've Been Losing Sleep Over!": The Central Women of 40s Films Noirs | 202 |
| Bibliography | 229 | |
| Index | 235 |
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Add Women in Film Noir, For the expanded edition of this classic text, the editor has brought together further essays which reflect today's renewed interest in film noir. Exploring net-noir, postmodernism, and other contemporary trends, new essays offer readings of, among othe, Women in Film Noir to the inventory that you are selling on WonderClubX
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Add Women in Film Noir, For the expanded edition of this classic text, the editor has brought together further essays which reflect today's renewed interest in film noir. Exploring net-noir, postmodernism, and other contemporary trends, new essays offer readings of, among othe, Women in Film Noir to your collection on WonderClub |