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Foreword | ||
Introduction: How Not to View Vienna 1900 | 1 | |
1 | The Critical Modernism of a Viennese Composer | 15 |
2 | Weininger's Critique of a Narcissistic Culture | 37 |
3 | Weininger, Ibsen, and the Origins of Viennese Critical Modernism | 59 |
4 | Ebner Contra Wagner: Epistemology, Aesthetics, and Salvation in Vienna, 1900 | 85 |
5 | Offenbach: Art between Monologue and Dialogue | 105 |
6 | Saint Offenbach's Postmodernism | 119 |
7 | Saying and Showing: Hertz and Wittgenstein | 147 |
8 | Wittgenstein's "Religious Point of View" | 171 |
9 | Kraus, Wittgenstein, and the Philosophy of Language | 185 |
10 | Wittgenstein, the Vienna Circle, and European Culture | 197 |
11 | Wittgenstein on Madness, Mistakes, Metaphysics, and Method | 213 |
12 | "Ethik und Asthetik Sind Eins": Wittgenstein and Trakl | 225 |
Notes | 247 | |
Index | 281 |
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Add Wittgenstein's Vienna Revisited, Fin de siecle Vienna was once memorably described by Karl Kraus as a proving ground for the destruction of the world. In the decades leading to the World War that brought down the Austro-Hungarian empire, the city was at once an operetta dream world mas, Wittgenstein's Vienna Revisited to the inventory that you are selling on WonderClubX
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Add Wittgenstein's Vienna Revisited, Fin de siecle Vienna was once memorably described by Karl Kraus as a proving ground for the destruction of the world. In the decades leading to the World War that brought down the Austro-Hungarian empire, the city was at once an operetta dream world mas, Wittgenstein's Vienna Revisited to your collection on WonderClub |