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| Acknowledgements | ||
| General Editors' Preface | ||
| Introduction | 1 | |
| 1 | What is 'Sensational' about the 'Sensation Novel'? | 30 |
| 2 | The Counterworld of Victorian Fiction and The Woman in White | 58 |
| 3 | The Sensationalism of The Woman in White | 70 |
| 4 | Reading Detection in The Woman in White | 88 |
| 5 | Ghostlier Determinations: The Economy of Sensation and The Woman in White | 109 |
| 6 | Rewriting the Male Plot in Wilkie Collins's No Name | 136 |
| 7 | Armadale: The Sensitive Subject as Palimpsest | 149 |
| 8 | Dreams, Transformations and Literature: The Implications of Detective Fiction | 175 |
| 9 | From roman policier to roman-police: Wilkie Collins's The Moonstone | 197 |
| 10 | Family Secrets and the Mysteries of The Moonstone | 221 |
| 11 | Blank Spaces: Ideological Tensions and the Detective Work of The Moonstone | 244 |
| Further Reading | 271 | |
| Notes on Contributors | 275 | |
| Index | 277 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
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