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List of IllustrationsAcknowledgmentsIntroduction: Where Film Meets Philosophy1. Phenomenology and the Viewing Subject2. Film Connotation and the Signified Subject3. Sound, Image, and the Order of Meaning4. Alain Resnais and the Code of Subjectivity5. Jean-Luc Godard and the Code of ObjectivityConclusion: Where Film and Philosophy May LeadNotesBibliographyIndex
Columbia University Press
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Add Where Film Meets Philosophy: Godard, Resnais, and Experiments in Cinematic Thinking, Hunter Vaughan interweaves phenomenology and semiotics to analyze cinema's ability to challenge conventional modes of thought. Merging Maurice Merleau-Ponty's phenomenology of perception with Gilles Deleuze's image-philosophy, Vaughan applies a rich theor, Where Film Meets Philosophy: Godard, Resnais, and Experiments in Cinematic Thinking to the inventory that you are selling on WonderClubX
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Add Where Film Meets Philosophy: Godard, Resnais, and Experiments in Cinematic Thinking, Hunter Vaughan interweaves phenomenology and semiotics to analyze cinema's ability to challenge conventional modes of thought. Merging Maurice Merleau-Ponty's phenomenology of perception with Gilles Deleuze's image-philosophy, Vaughan applies a rich theor, Where Film Meets Philosophy: Godard, Resnais, and Experiments in Cinematic Thinking to your collection on WonderClub |