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Introduction : permission to speak the discourse of death | 1 | |
1 | Amusing ourselves about death : violent media and death education | 27 |
2 | Death, home from its holiday? | 49 |
3 | Death becomes them : reading Six feet under | 71 |
4 | Rhetorical invention : structure and argument in Six feet under | 89 |
5 | Affiliation, critique, and community : viewers respond to Six feet under | 109 |
6 | Myths of death in science fiction : the case of The twilight zone | 131 |
7 | Believing in what's "out there" : the myth of The X-files | 145 |
8 | Two mediums, one message : crossing over and the mass consumption of "Contact" | 175 |
9 | Digital media meets death culture : the impact of time, space, and vision | 197 |
10 | Web funerals, virtual funerals and the business of death | 227 |
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Add When Death Goes Pop: Death, Media And The Remaking Of Community, In When Death Goes Pop, Charlton D. Mellwain describes a striking emerging shift in the way that death is represented in such omnipresent forms of media as television - a shift that seems to be moving the American discourse on death and dying from the pri, When Death Goes Pop: Death, Media And The Remaking Of Community to the inventory that you are selling on WonderClubX
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Add When Death Goes Pop: Death, Media And The Remaking Of Community, In When Death Goes Pop, Charlton D. Mellwain describes a striking emerging shift in the way that death is represented in such omnipresent forms of media as television - a shift that seems to be moving the American discourse on death and dying from the pri, When Death Goes Pop: Death, Media And The Remaking Of Community to your collection on WonderClub |