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Introduction | ||
Acknowledgements | ||
1 | Enter Dramaturgs | 3 |
2 | The Compleat Dramaturg | 13 |
3 | Ten Dramaturgical Myths | 17 |
4 | Lessing, Jugglers, and Dramaturgs | 27 |
5 | The Role of the Dramaturg in European Theater | 43 |
6 | Dramaturgy In Stuttgart: An Interview with Hermann Beil | 49 |
7 | Bertolt Brecht as Dramaturg | 57 |
8 | American Dramaturgy: A Critical Re-Appraisal | 67 |
9 | The American View: The Future for Dramaturgs on U.S. Campuses | 89 |
10 | Dramaturgs in America: Two Interviews and Six Statements | 105 |
Dramaturgy at The Guthrie: An Interview with Mark Bly | 105 | |
The Literary Manager As "Resident Highbrow": An Interview with Russell Vandenbroucke at the Mark Taper Forum | 117 | |
11 | Dramaturgy in Two Senses: Towards a Theory and Some Working Principles of New-Play Dramaturgy | 157 |
12 | The Ghost Lights of Our Theaters: The Fate of Contemporary American Dramaturgs | 177 |
13 | The Critic Comes Full Circle: An Interview with Kenneth Tynan | 197 |
14 | Literary Management at the National Theatre, London: An Interview with John Russell Brown | 213 |
15 | Directors, Dramaturgs, and War in Poland: An Interview with Jan Kott | 223 |
16 | The Dramaturg in Yugoslavia | 235 |
17 | The Program as Performance Text | 241 |
A Dramaturgy Bibliography | 247 |
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