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acknowledgments | ||
introduction: westerns through history | 1 | |
pt. 1 | historical metafiction: the 1990s western | |
1 | generic subversion as counterhistory: mario van peebles's posse | 27 |
2 | a tale N/nobody can tell: the return of a repressed western history in jim jarmusch's dead man | 47 |
3 | the burden of history and john sayles's lone star | 71 |
pt. 2 | historiophoty: buffalo bill, the indians, and the western biopic | |
4 | cowboy wonderland, history and myth: "it ain't all that different than real life" | 89 |
5 | life-like, vivid, and thrilling pictures: buffalo bill's wild west and early cinema | 109 |
6 | buffalo bill (himself) history and memory in the western biopic | 131 |
pt. 3 | film history: widening horizons | |
7 | how the west was sung | 151 |
8 | drums along the l.a. river: scoring the indian | 177 |
9 | beyond and western frontier: reappropriations of the "good badman" in france, the french colonies, and contemporary algeria | 197 |
pt. 4 | history through narrative | |
10 | captive images in the traumatic western: the searchers, pursued, once upon a time in the west, and lone star | 219 |
contributors | 253 | |
index | 255 |
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Add Westerns Films Through History, The cowboys and Indians, sheriffs and outlaws, schoolmarms and barkeeps of Western films have wholly transformed our ideas about the reality of the American frontier. Westerns is the first book to consider seriously the historical meanings and functions, Westerns Films Through History to the inventory that you are selling on WonderClubX
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Add Westerns Films Through History, The cowboys and Indians, sheriffs and outlaws, schoolmarms and barkeeps of Western films have wholly transformed our ideas about the reality of the American frontier. Westerns is the first book to consider seriously the historical meanings and functions, Westerns Films Through History to your collection on WonderClub |