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| List of Illustrations | ||
| Preface and Acknowledgments | ||
| Introduction: War, Lies and Newsprint | 1 | |
| 1 | Satire and Censorship | 21 |
| 2 | Verbal and Visual, Humor and Politics: Organization as Discourse | 37 |
| 3 | Unstuffing Skulls: The Canard Versus the Mass Press | 51 |
| 4 | The Tears of L'Intran: Semiotic Hijacking and Wartime Anxieties | 71 |
| 5 | Soldiers Versus Profiteers: Class War as Patriotism | 83 |
| 6 | In Vino Veritas: De La Fouchardiere, Bicard, and the Politics of Inebriation | 98 |
| 7 | Peace or Postwar: The Next Last War | 116 |
| 8 | Web of Memory | 132 |
| 9 | Between Cannibalism and Resurrection: The Body of the Unknown Soldier | 154 |
| 10 | Anti-Imperialism and its Stereotypes: War in the Colonies | 168 |
| 11 | Politics as Usual: An Antiparliamentarism of the Left? | 184 |
| 12 | Canard Economics, or the Costs of the War | 210 |
| 13 | The Wealth of Nations | 231 |
| 14 | Conclusion: Politics of Humor, Politics of Memory | 247 |
| Notes | 267 | |
| Index | 323 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Rune Dalsgaard Nielsen
reviewed War, Memory, and the Politics of Humor: The Canard Enchaine and World War I on April 27, 2008
War, Memory, and the Politics of Humor: The Canard Enchaine and World War I
A silent crowd of four follows John like a priest walking in circles, and hits all his dead ends. Always something elsewhere more appealing than here. But by the time he gets there, elsewhere becomes just the same.
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War, Memory, and the Politics of Humor: The Canard Enchaine and World War I, War, Memory, and the Politics of Humor features carnage and cannibalism, gender and cross-dressing, drunks and heroes, militarism and memory, all set against the background of World War I France. Allen Douglas shows how a new satiric weekly, the X
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War, Memory, and the Politics of Humor: The Canard Enchaine and World War I, War, Memory, and the Politics of Humor features carnage and cannibalism, gender and cross-dressing, drunks and heroes, militarism and memory, all set against the background of World War I France. Allen Douglas shows how a new satiric weekly, the |
