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Introduction : a blissful inheritance | 15 | |
Pt. I | Dynamic model of reception and appropriation of Shakespearean text in Russia | |
1 | The feast of revival | 29 |
2 | Enchanted by Shakespeare's resounding name | 36 |
Pt. II | Acquiring Shakespeare anew | |
3 | Our father Shakespeare : from the tragic to the lyric | 43 |
4 | Hamlets of our district : from the social to the personal | 50 |
Pt. III | "A quotation is a cicada" : poetical dialogue | |
5 | From the plot to the word : "earth bubbles" | 59 |
6 | The pole of lyric : "I am alone, all sinks to the Pharisee" | 70 |
The theme of Hamlet and Ophelia : "I am Hamlet, my blood chills ..." | 70 | |
The theme of Othello and Desdemona : "the blood-smeared honor of a break-up" | 96 | |
The theme of Antony and Cleopatra : "and love has outweighted all" | 100 | |
7 | The pole of history : "the humiliations of the age" | 105 |
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Add Voicing the distant, The presence of Shakespearean themes and images in Russian modernist poetry, still largely overlooked, provides valuable insight into the general mechanisms of assimilation of foreign texts by Russian modernist poetry. The present study offers extensive , Voicing the distant to the inventory that you are selling on WonderClubX
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Add Voicing the distant, The presence of Shakespearean themes and images in Russian modernist poetry, still largely overlooked, provides valuable insight into the general mechanisms of assimilation of foreign texts by Russian modernist poetry. The present study offers extensive , Voicing the distant to your collection on WonderClub |