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| Acknowledgements | ||
| 1 | Preliminaries | 1 |
| Pt. I | Cinema | 21 |
| 2 | Cinema as a cultural event | 23 |
| 3 | Cinema as image and sound | 38 |
| 4 | Cinema narration | 62 |
| 5 | The cinema spectator | 77 |
| 6 | Stars as cinematic phenomenon | 91 |
| Pt. II | Broadcast TV | 109 |
| 7 | Broadcast TV as cultural form | 111 |
| 8 | Broadcast TV as sound and image | 127 |
| 9 | Broadcast TV narration | 145 |
| 10 | The broadcast TV viewer | 160 |
| Pt. III | The institutions of cinema and broadcast TV | 173 |
| 11 | The current situation | 175 |
| 12 | The organisation of film production | 183 |
| 13 | The dominance of the Hollywood film | 194 |
| 14 | The organisation of broadcast TV production | 211 |
| 15 | Cinema and broadcast TV together | 224 |
| 16 | Beyond the Hollywood film: British independent cinema | 251 |
| 17 | Postface (1992) | 270 |
| Films and programmes cited | 285 | |
| Select bibliography | 292 | |
| Further reading | 299 |
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| $99.99 | Digital |
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Add Visible Fictions: Cinema Television Video, This revised edition of a standard textbook combines an examination of the cinema and television industries with a detailed analysis of their aesthetic and semiotic characteristics. John Ellis draws on his experience as an independent television producer , Visible Fictions: Cinema Television Video to the inventory that you are selling on WonderClubX
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Add Visible Fictions: Cinema Television Video, This revised edition of a standard textbook combines an examination of the cinema and television industries with a detailed analysis of their aesthetic and semiotic characteristics. John Ellis draws on his experience as an independent television producer , Visible Fictions: Cinema Television Video to your collection on WonderClub |