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Acknowledgments | ||
Introduction: Fictions of Public Realms | 1 | |
1 | Communism: The Public Enemy | 13 |
2 | The Crucible: The Theocratic Town and Public Evil | 22 |
3 | The Book of Daniel: The Fatally Exposed Family | 35 |
4 | The Public Burning: Carnival, Circus, and Public Execution | 53 |
5 | Erotic Bodies as Sites of Faith | 67 |
6 | Sisterhood and Sex: Agnes of God, Mariette in Ecstasy, and The Company of Women | 75 |
7 | Possessing bodies: Quicksand and Beloved | 98 |
8 | Subjected Wife: Many Things Have Happened since He Died | 115 |
9 | Dancing to the Apocalypse | 137 |
10 | Apocalypse Now: Melancholia at the End | 150 |
11 | Indian Country: Disorder and Late Sorrow | 170 |
12 | Tracks: Trickster Hermeneutics | 185 |
Conclusion: The Body Poetic? | 205 | |
App. 1. Ron Hansen Responds | 215 | |
App. 2. Elizabeth Dewberry Responds | 217 | |
App. 3. Philip Caputo Responds | 219 | |
App. 4. "The Ghost Dance at Wounded Knee," | 220 | |
Index | 223 |
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