Tullio Lombardo and Ideal Portrait Sculpture in Renaissance Italy, 1490-1530 Book

1. The Venetian setting and demand for modern sculpture; 2. Tullio Lombardo's development as a sculptor; 3. The Ca' d'Oro relief and the beginnings of ideal portrait sculpture; 4. Ideal portrait sculpture reconsidered: Bacchus and Ariadne and the dialogue with painting; 5. Developments in ideal portrait sculpture: the double-portrait relief in other hands; 6. Distillations of ideal portrait sculpture: single figure reliefs, religious adaptations, and miniature bronze busts; 7. The Venetian bust: ideal portraits, surrogate antiques, and the emerging modern likeness.