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In this study of Yeats' poetry between 1902 and 1916, Greaves strongly reacts to the tendency in literary criticism to categorize Yeats' work as 'modernist', Instead, Greaves offer a different way of looking at the transition in Yeats' work in this period, by examining the poems in the context of Yeats' life. As a result, the figure of Yeats the poet is resurrected from the exhaustive category of 'modernism' and the complex connections between the figure of Yeats within the poems and its relationship with the Yeats who exists outside them is revealed.
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Veena Roesler
reviewed Transition, reception, and modernism in W. B. Yeats on February 27, 2017
Transition
If you're into stuff like this, you can read the full review.
Judgement: "Ariel's Gift: Ted Hughes, Sylvia Plath, and the Story of Birthday Letters" by Erica Wagner
(Original Review, 2002)
It's interesting that noted feminist Germaine Greer said of both Plath and Hughes that, 'she saw him coming' and that 'most people wouldn't have been taken in by her'. It is very easy to censure especially when you know very little of the background. Sylvia Plath was mentally ill and had already almost succeeded in killing herself before she had left the States for Cambridge. A police search for her failed to find her because she had taken an overdose and laid down underneath the floor of her mother's home. She came round and banged her head and was heard by her brother. Otherwise she would most certainly have died undiscovered.
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