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Traditional African and Oriental Music Book

Traditional African and Oriental Music
Traditional African and Oriental Music, Interest in world music is at its peak. Listening to non-Western music in concerts and on radio, television, and CDs has become an important part of our musical experience, yet the general tendency is still one of passive acceptance. The aim of this book , Traditional African and Oriental Music has a rating of 3 stars
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Traditional African and Oriental Music, Interest in world music is at its peak. Listening to non-Western music in concerts and on radio, television, and CDs has become an important part of our musical experience, yet the general tendency is still one of passive acceptance. The aim of this book , Traditional African and Oriental Music
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  • Traditional African and Oriental Music
  • Written by author Otto Karolyi
  • Published by Penguin Group (USA), September 1999
  • Interest in world music is at its peak. Listening to non-Western music in concerts and on radio, television, and CDs has become an important part of our musical experience, yet the general tendency is still one of passive acceptance. The aim of this book
  • The first book aimed at a popular audience to explain non-Western music to the untrained earInterest in world music is at its peak. Listening to non-Western music in concerts and on radio, television, and CDs has become an important part of our mu
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Authors

Preface Acknowledgments
Chapter One: African Music
Introduction Rhythm Melody Harmony Instruments General Considerations: religion; language, poetry and music; drama, dance and music; improvisation; music and musicians in the community
Chapter Two: Islam and Music
Introduction Rhythm Melody Harmony Instruments General Considerations: religion; Qur'an recitations; the call to prayer; the Prophet's birthday; hymns in praise of the Prophet; Sufi worship; postlude
Chapter Three: The Indian Subcontinent
Introduction Rhythm Melody Harmony Instruments General Considerations: religion: Hinduism, Buddhism, Sikhism, Islam; qawwali; dance and music; ragamala paintings
Chapter Four: China and Tibet
Introduction Rhythm Melody Harmony Instruments General Considerations: religion: Confucianism, Taoism, Buddhism; Peking opera; Tibet; dance in China and Tibet; epic song Chapter Five: The Far East
Introduction: Japan Background Rhythm Melody Harmony Instruments Instrumental and theatrical ensembles: Gagaku, Bunraku, Kabuki and Noh General considerations: religion: Shinto, Buddhism in Japan, Zen

Indonesia: (i) Java; (ii) Bali Background Rhythm Melody Harmony Instruments Theatrical ensembles and music Bali

Afterword Select Bibliography Discography Notes Index


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Traditional African and Oriental Music, Interest in world music is at its peak. Listening to non-Western music in concerts and on radio, television, and CDs has become an important part of our musical experience, yet the general tendency is still one of passive acceptance. The aim of this book , Traditional African and Oriental Music

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Traditional African and Oriental Music, Interest in world music is at its peak. Listening to non-Western music in concerts and on radio, television, and CDs has become an important part of our musical experience, yet the general tendency is still one of passive acceptance. The aim of this book , Traditional African and Oriental Music

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