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Preface Acknowledgments
Chapter One: African Music
Introduction Rhythm Melody Harmony Instruments General Considerations: religion; language, poetry and music; drama, dance and music; improvisation; music and musicians in the community
Chapter Two: Islam and Music
Introduction Rhythm Melody Harmony Instruments General Considerations: religion; Qur'an recitations; the call to prayer; the Prophet's birthday; hymns in praise of the Prophet; Sufi worship; postlude
Chapter Three: The Indian Subcontinent
Introduction Rhythm Melody Harmony Instruments General Considerations: religion: Hinduism, Buddhism, Sikhism, Islam; qawwali; dance and music; ragamala paintings
Chapter Four: China and Tibet
Introduction Rhythm Melody Harmony Instruments General Considerations: religion: Confucianism, Taoism, Buddhism; Peking opera; Tibet; dance in China and Tibet; epic song Chapter Five: The Far East
Introduction: Japan Background Rhythm Melody Harmony Instruments Instrumental and theatrical ensembles: Gagaku, Bunraku, Kabuki and Noh General considerations: religion: Shinto, Buddhism in Japan, Zen
Indonesia: (i) Java; (ii) Bali Background Rhythm Melody Harmony Instruments Theatrical ensembles and music Bali
Afterword Select Bibliography Discography Notes Index
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Add Traditional African and Oriental Music, Interest in world music is at its peak. Listening to non-Western music in concerts and on radio, television, and CDs has become an important part of our musical experience, yet the general tendency is still one of passive acceptance. The aim of this book , Traditional African and Oriental Music to the inventory that you are selling on WonderClubX
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Add Traditional African and Oriental Music, Interest in world music is at its peak. Listening to non-Western music in concerts and on radio, television, and CDs has become an important part of our musical experience, yet the general tendency is still one of passive acceptance. The aim of this book , Traditional African and Oriental Music to your collection on WonderClub |