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Acknowledgments | ||
Introduction | ||
1 | Cultural Topography and Arthurian Romance | 1 |
Cultural Topography | 3 | |
Romance Space | 5 | |
Gender Topographies | 7 | |
The Reality of Courtly Romance | 11 | |
The Experiment of Fiction | 14 | |
The Gender Question | 17 | |
Gender, Romance, and the Issue of Space | 21 | |
2 | The Topography of Hartmann von Aue Negotiating Spaces and Power in Erec and Iwein | 41 |
Erec: "wan bi den liuten ist so guot" | 45 | |
Iwein: A Woman's Place Is Her Castle | 63 | |
3 | The Topography of Wolfram von Eschenbach Spaces of "Becoming" and "Being" in Parzival | 101 |
Wolfram's Reaction to Hartmann | 105 | |
Wolfram's Worlds | 113 | |
The Orient | 114 | |
The Courtly (Arthurian) World | 123 | |
The Grail World | 132 | |
4 | The Topography of Gottfried von Strassburg Places to Play in Tristan | 155 |
Gottfried and His Contemporaries | 156 | |
A Place for Noble Hearts | 160 | |
"Real" Places | 163 | |
The Forest Transformed | 165 | |
Ireland: A Mother's Place, An Other Space | 168 | |
Cornwall: A Place for Two to Play | 174 | |
"ein man mit muote" | 182 | |
5 | Conclusions | 207 |
Bibliography | 215 | |
Index | 241 |
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