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List of Illustrations ix
Acknowledgments xi
Introduction: The Rhetoric of Voice in Civil War Poetry 1
1 Shaping Communities through Popular Song 17
2 "We Are Here at Our Country's Call": Nationalist Commitments and Personal Stances in Union and Confederate Soldiers' Poems 41
3 The Lyric I and the Poetics of Protest: Julia Ward Howe and Frances Harper 87
4 Addresses to a Divided Nation: Emily Dickinson, Walt Whitman, and the Place of the Lyric I 130
5 Romantic Visions and Southern Stances: Henry Timrod, Sarah Piatt, and George Moses Horton 187
6 "They answered him aloud": Popular Voice and Nationalist Allegiances in Herman Melville's Battle-Pieces 251
Epilogue: Civil War Poetry in the Twentieth and Twenty-First Centuries 281
Notes 295
Index 327
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Add To Fight Aloud Is Very Brave: American Poetry and the Civil War, Focusing on literary and popular poets, as well as work by women, African Americans, and soldiers, this book considers how writers used poetry to articulate their relationships to family, community, and nation during the Civil War. Faith Barrett suggests , To Fight Aloud Is Very Brave: American Poetry and the Civil War to the inventory that you are selling on WonderClubX
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Add To Fight Aloud Is Very Brave: American Poetry and the Civil War, Focusing on literary and popular poets, as well as work by women, African Americans, and soldiers, this book considers how writers used poetry to articulate their relationships to family, community, and nation during the Civil War. Faith Barrett suggests , To Fight Aloud Is Very Brave: American Poetry and the Civil War to your collection on WonderClub |