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Book Categories |
| Pt. I | On the status of painting in the Renaissance | |
| 1 | Painting, poetry and the liberal arts | 15 |
| 2 | Imitation, moral purpose and learning | 41 |
| 3 | Tragedy | 57 |
| Pt. II | Titian and tragedy | |
| 4 | The four great sinners | 77 |
| 5 | Michelangelo and Titian : Terribilita and tragic Pathos | 97 |
| 6 | Titian's mythological paintings : problems of interpretation | 129 |
| 7 | Titian's poesie for Philip II as painted tragedies | 155 |
| 8 | The final tragedies and Titian's 'late style' | 183 |
| Price | Condition | Delivery | Seller | Action |
| $239.75 | Digital |
| WonderClub |
Moira Mayatt
reviewed Titian and Tragic Painting: Aristotle's "Poetics" and the Rise of the Modern Artist on August 29, 2020
Titian and Tragic Painting: Aristotle's "Poetics" and the Rise of the Modern Artist
Very interesting, and an excellent overview of how & why attitudes towards art & artists in 16th Century Europe were changing, and how Titian was right in the middle of it, and was very much both a protagonist and a beneficiary of that change. Lots of pretty pictures too.
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Add Titian and Tragic Painting: Aristotle's "Poetics" and the Rise of the Modern Artist, Late in his life Titian created a series of paintings—the Four Sinners, the poesie for his patron Philip II of Spain, and the Final Tragedies—that were dark in tone and content, full of pathos and physical suffering. In this major reinterp, Titian and Tragic Painting: Aristotle's "Poetics" and the Rise of the Modern Artist to the inventory that you are selling on WonderClubX
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Add Titian and Tragic Painting: Aristotle's "Poetics" and the Rise of the Modern Artist, Late in his life Titian created a series of paintings—the Four Sinners, the poesie for his patron Philip II of Spain, and the Final Tragedies—that were dark in tone and content, full of pathos and physical suffering. In this major reinterp, Titian and Tragic Painting: Aristotle's "Poetics" and the Rise of the Modern Artist to your collection on WonderClub |
