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The Artis analyticae praxis was published in 1631 in Latin. Until relatively - cently, an English edition would not have been considered necessary since most of the people who might have been expected to be interested in the text would have been able to read it in Latin. That is no longer the case and it is ?tting that an English edition should be published. It is also the case that a considerable proportion of the readership of the present volume will not be professional mathematicians, so we have tried to produce a translation that makes the mathematical content accessible to the modern reader. This is not because the algebra is intrinsically dif?cult but because it is not the kind of mathematics which is a part of today's secondary school curriculum. A further problem lies in the fact that the book in the form in which it was - blished in 1631 may very well not conform to Harriot's intentions for the publi- tion of his mathematical manuscript papers. This is why the book is accompanied by a Commentary which attempts to compare it with the appropriate passages in the surviving manuscript papers. The present work is a translation of the original text and not intended as a facsimile. The original has well over 300 errors (there may very well be more) and we have listed these at the end. In the interests of mathematical accessibility we have tried to produce a mathematically "clean" copy.
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Cin Nard
reviewed Thomas harriot's artis analyticae praxis on December 16, 2018
Thomas harriot's artis analyticae praxis
Inferno (La Divina Commedia #1) = The Divine Comedy of Dante Alighieri: Volume 1: Inferno, Dante Alighieri
The Divine Comedy is a long narrative poem by Dante Alighieri, begun c. 1308 and completed in 1320, a year before his death, in 1321. It is widely considered the preeminent work in Italian literature, and is seen as one of the greatest works of world literature.
The poem's imaginative vision of the afterlife is representative of the medieval world-view as it had developed in the Western Church, by the 14th century. It helped establish the Tuscan language, in which it is written, as the standardized Italian language. It is divided into three parts: Inferno, Purgatorio, and Paradiso.
Halfway through the story of my life
I woke to find myself in a dark wood
Gone from the path direct
For I had wandered off from the straight path
For I had strayed from the straight path
For I had lost the path that does not stray
Midway in our life's journey
The straightforward pathway had been lost
تاریخ خوانش: در سال 1968میلادی
عنوان: دوزخ - دانته آلیگیری - کمدی الهی؛ نویسنهد: دانته آلیگیری؛ مترجم: شجاع الدین Ø´Ùا؛ تهران، امیرکبیر؛ 1335Ø› در سه جلد: جلد نخست: دوزخ؛ جلد دوم : برزخ؛ جلد سوم: بهشت؛ چاپ بیست Ùˆ یکم 1393Ø› موضوع: شعر شاعران ایتالیائی - سده ÛŒ 14Ù…
نقل از متن: در نیمه راه زندگانی، خویشتن را، در جنگلی تاریک یاÙتم، زیرا راه راست را Ú¯Ù… کرده بودم، Ùˆ Ú†Ù‡ دشوار است، وص٠این جنگل ÙˆØØ´ÛŒ Ùˆ سخت انبوه، Ú©Ù‡ یادش ترس را، در دل بیدار میکند. چنان تلخ است، Ú©Ù‡ مرگ، جز اندکی از آن تلختر نیست، اما من، برای وص٠صÙایی Ú©Ù‡ در این جنگل یاÙتم، از دگر چیزهایی Ú©Ù‡ در آن جستم، سخن خواهم Ú¯Ùت. درست نمیتوانم Ú¯Ùت، Ú©Ù‡ چگونه پای بدان نهادم، زیرا هنگامی Ú©Ù‡ شاهراه را ترک Ú¯Ùتم، سخت خواب آلوده بودم. پایان نقل از قسمتی از سرود اول دوزخ
تاریخ بهنگام رسانی 11/06/1399هجری خورشیدی؛ ا. شربیانی
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