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Acknowledgments | ||
Editor's Preface | ||
The Trivial Sublime / Ex-tracts | 1 | |
1 | Emerson: This Almost Insignificant Signifier | 22 |
2 | In Nomine Diaboli: An Extreme Interpretation of Billy Budd | 40 |
3 | Giving Umbrage: The Song of Songs which is Whitman's | 60 |
4 | Recycling Language: Emily Dickinson's Religious Wordplay | 83 |
5 | Robert Frost: The Design of Violence | 107 |
6 | Understanding Understatement: Biblical Typology and "The Displaced Person" | 119 |
7 | His Dazzling Absence: The Shekinah in Jonathan Edwards | 136 |
Notes | 163 | |
Index | 192 |
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Add The trivial sublime, In recent years, scholars writing about the American Sublime have defined it in terms of a landscape of absence - an inner and outer landscape characterized by vastness, by blankness, by unrelieved whiteness, and by the so-called Oedipal struggle for powe, The trivial sublime to the inventory that you are selling on WonderClubX
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Add The trivial sublime, In recent years, scholars writing about the American Sublime have defined it in terms of a landscape of absence - an inner and outer landscape characterized by vastness, by blankness, by unrelieved whiteness, and by the so-called Oedipal struggle for powe, The trivial sublime to your collection on WonderClub |