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Book Categories |
Notes on contributors | ||
General Introduction | 1 | |
Pt. I | Psychoanalysis and Subjectivity | |
1 | Visual Pleasure and Narrative Cinema | 22 |
2 | Psychoanalysis and Film | 35 |
3 | Difference | 47 |
4 | Language and Sexual Difference | 107 |
Pt. II | Pornography | |
5 | What's Wrong with 'Images of Women'? | 135 |
6 | On Pornography | 146 |
7 | Letter to John | 171 |
8 | The Heterosexual Presumption | 184 |
9 | The Body as Evidence | 197 |
Pt. III | The Female Spectator | |
10 | Film and the Masquerade: Theorizing the Female Spectator | 227 |
11 | Desperately Seeking Difference | 244 |
Pt. IV | Images of Men | |
12 | Don't Look Now: The Male Pin-Up | 265 |
13 | Masculinity as Spectacle | 277 |
Pt. V | The Social Subject | |
14 | The Subject of Feminist Film Theory/Practice | 295 |
15 | Women's Genres | 301 |
16 | The Other Question: The Stereotype and Colonial Discourse | 312 |
Index |
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Add The Sexual Subject: A Screen Reader in Sexuality, The Sexual Subject brings together writing on sexuality which has appeared in ^Screen over the past two decades. It reflects the journal's continuing engagement with questions of sexuality and signification in the cinema, an engagement which has ha, The Sexual Subject: A Screen Reader in Sexuality to the inventory that you are selling on WonderClubX
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Add The Sexual Subject: A Screen Reader in Sexuality, The Sexual Subject brings together writing on sexuality which has appeared in ^Screen over the past two decades. It reflects the journal's continuing engagement with questions of sexuality and signification in the cinema, an engagement which has ha, The Sexual Subject: A Screen Reader in Sexuality to your collection on WonderClub |