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Book Categories |
1. | Why I Wrote This | 1 |
2. | Starting from Ground Zero | 4 |
3. | Who Buys Scripts | 7 |
4. | Getting Read | 17 |
5. | What a Pitch Is, and Isn't | 19 |
6. | Pitching a Spec Script | 22 |
7. | Pitching a Concept You Want to Write | 30 |
8. | Writer Speak vs. Mogul Speak | 36 |
9. | The Pitch Letter | 41 |
10. | Cold Calling | 48 |
11. | Faxing | 54 |
12. | Happy Birthday, Read My Script | 58 |
13. | Who Gets Read | 62 |
14. | Format | 65 |
15. | Submissions and Presentation | 69 |
16. | Simultaneous Submissions | 77 |
17. | Releases | 80 |
18. | Coverage | 84 |
19. | Submission Records | 88 |
20. | The Cost of Submission | 93 |
21. | Following Up, Staying in Touch | 97 |
22. | Selling Ideas | 101 |
23. | Protecting Ideas | 103 |
24. | Business Meetings | 106 |
25. | Guerrilla Meeting Tactics | 114 |
26. | Meeting People in General | 120 |
27. | The Screenwriter's Uniform | 123 |
28. | The Dating Metaphor | 127 |
29. | Agents | 130 |
30. | Bad Agents | 146 |
31. | Leaving an Agent | 152 |
32. | Cheating on Agents | 158 |
33. | Managers vs. Agents | 160 |
34. | Producers | 164 |
35. | Bozos | 171 |
36. | The Free Option | 177 |
37. | What the Hell Do I Call This Chapter, or, Do It Right | 183 |
38. | Who You Want to Work With | 190 |
39. | On Writing That Works and Writing That Doesn't | 198 |
40. | On "Visual" Writing, or, Your Lit Professor Lied | 203 |
41. | Parentheticals and Other Lies | 206 |
42. | What You See On Screen | 210 |
43. | High Concept | 214 |
44. | That Genre Is Dead | 216 |
45. | Teen Girls Don't See Movies | 218 |
46. | Writing for Ratings | 220 |
47. | Don't Write Batman | 222 |
48. | Writing "Marketable" | 225 |
49. | Why You Do This | 228 |
50. | The Green Light and Turnaround | 231 |
51. | What You Really Get Paid | 235 |
52. | The Guild | 239 |
53. | Screen Credit and Arbitration | 245 |
54. | Separation of Rights | 250 |
55. | Entertainment Attorneys and Business Affairs | 253 |
56. | Death and Taxes | 257 |
57. | Reading Fees and Consultants | 260 |
58. | Classes and Seminars | 266 |
59. | Workshops and Critiques | 270 |
60. | Clubs and Memberships | 278 |
61. | Competitions | 282 |
62. | Where to Get Scripts | 288 |
63. | Do You Have to Live in L.A.? | 291 |
64. | The Last Word | 294 |
Resources for Screenwriters | 296 | |
Generic Release Form | 303 | |
Sample Script Title Page | 307 | |
Sample Script Page | 308 | |
Sample Query Letter | 309 |
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Add The Screenwriter's Survival Guide : Or, Guerrilla Meeting Tactics and Other Acts of War, In a town without pity -- namely Hollywood -- all you need is a map, a guide, and a ticket to success. The first two you're holding in your hands, the third is up to you. From the screenwriter who broke all the rules and made the movie industry sit up and, The Screenwriter's Survival Guide : Or, Guerrilla Meeting Tactics and Other Acts of War to the inventory that you are selling on WonderClubX
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Add The Screenwriter's Survival Guide : Or, Guerrilla Meeting Tactics and Other Acts of War, In a town without pity -- namely Hollywood -- all you need is a map, a guide, and a ticket to success. The first two you're holding in your hands, the third is up to you. From the screenwriter who broke all the rules and made the movie industry sit up and, The Screenwriter's Survival Guide : Or, Guerrilla Meeting Tactics and Other Acts of War to your collection on WonderClub |