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Acknowledgements 1. Producing Popular Cultures Part 1: Fairies, Old Wives Tales, and Hobbyhorses: Rising to (In)visibility 2. Taken by the Fairies 3. Old Wives’ Tales 4. Hobbyhorses and Fellow Travellers Part 2: William Shakespeare 5. A Midsummer Night’s Dream: Breeching the Binary 6. Merry Wives of Windsor: Domestic Nationalism and the Refuse of the Realm Part 3: Edmund Spenser 7. The Faerie Queene: Vanishing Fairies and Dissolving Courtiers Part 4: Ben Jonson 8. Oberon, The Fairy Prince (1611) and The Great Fairy Caper; The Sad Shepherd (c. 1637) and the Topography of the Devil’s Arse Conclusion Notes Bibliography Index
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Thomas Cruz
reviewed Production of Popular Culture by Shakespeare, Spenser and on April 13, 2013
Production of Popular Culture by Shakespeare
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Add Production of Popular Culture by Shakespeare, Spenser and, By analysing appropriations of fairies, old wives, and mummers, this project explores the conflicted entanglements of early moderns leaving, or attempting to leave, a once-shared common culture behind., Production of Popular Culture by Shakespeare, Spenser and to the inventory that you are selling on WonderClubX
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Add Production of Popular Culture by Shakespeare, Spenser and, By analysing appropriations of fairies, old wives, and mummers, this project explores the conflicted entanglements of early moderns leaving, or attempting to leave, a once-shared common culture behind., Production of Popular Culture by Shakespeare, Spenser and to your collection on WonderClub |