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from Songs of Innocence |
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|
Introduction |
1 |
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The Lamb |
2 |
|
The Ecchoing Green |
2 |
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The Chimney Sweeper |
3 |
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Infant Joy |
4 |
|
On Another's Sorrow |
4 |
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The School Boy |
5 |
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from Songs of Experience |
|
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The Clod & the Pebble |
6 |
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The Sick Rose |
6 |
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The Fly |
7 |
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The Tyger |
7 |
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The Garden of Love |
8 |
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London |
8 |
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The Human Abstract |
9 |
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Infant Sorrow |
10 |
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A Poison Tree |
10 |
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Auguries of Innocence |
10 |
|
from Milton |
|
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Jerusalem |
14 |
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'But turning toward Ololon in terrible majesty Milton' |
14 |
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To Morning |
15 |
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from Visions of the Daughters of Albion |
15 |
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Auld Lang Syne |
|
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Green Grow the Rashes |
17 |
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Coming Through the Rye |
18 |
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For A' That |
18 |
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Whistle, and I'll come to You, My Lad |
19 |
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A Red, Red Rose |
20 |
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To a Mouse, on turning her up in her Nest with the Plough |
21 |
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O Wert Thou in the Cauld Blast |
21 |
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Hay Making |
23 |
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Dover Cliffs |
24 |
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The Sleeping Beauty |
25 |
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Ginevra |
26 |
|
A Wish |
28 |
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Kilmeny |
29 |
|
A Boy's Song |
37 |
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Lines composed a few miles above Tintern Abbey |
38 |
|
Lucy Gray |
42 |
|
The Fountain |
44 |
|
Michael |
46 |
|
Lucy |
57 |
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Resolution and Independence |
58 |
|
Sonnets |
|
|
London, 1802 |
62 |
|
'It is a Beauteous Evening, Calm and Free' |
62 |
|
Composed upon Westminster Bridge, September 3, 1802 |
63 |
|
The Solitary Reaper |
63 |
|
from The Prelude |
64 |
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from The Lay of the Last Minstrel |
|
|
The Minstrel |
90 |
|
Melrose Abbey |
92 |
|
Love |
93 |
|
Nature's Sympathy with the Poet |
93 |
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Patriotism |
94 |
|
Lochinvar |
95 |
|
from The Lady of the Lake |
|
|
Flowers and Trees |
97 |
|
Boat Song |
97 |
|
Coronach |
98 |
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Ballad: Alice Brand |
99 |
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Harp of the North, Farewell! |
102 |
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from Rokeby |
|
|
Song: Brignall Banks |
103 |
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Songs from the Novels |
|
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Hie Away, Hie Away |
104 |
|
Lucy Ashton's Song |
105 |
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Sound, Sound the Clarion |
105 |
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|
The Rime of the Ancient Mariner |
106 |
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Dejection: An Ode |
123 |
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Work Without Hope |
127 |
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Kubla Khan |
128 |
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To a Young Ass |
129 |
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This Lime-Tree Bower My Prison |
130 |
|
The Homeric Hexameter |
132 |
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After Blenheim |
132 |
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Among His Books |
134 |
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The Inchcape Rock |
135 |
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Bishop Hatto and the Rats |
137 |
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The Old Familiar Faces |
139 |
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The Triumph of the Whale |
140 |
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To Night |
141 |
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Rose Aylmer |
142 |
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On His Seventy-fifth Birthday |
142 |
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Dirce |
142 |
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Playhouse Musings |
142 |
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Ye Mariners of England |
145 |
|
The Soldier's Dream |
146 |
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The Minstrel Boy |
147 |
|
She is Far from the Land |
147 |
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Pro Patria Mori |
148 |
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Echoes |
148 |
|
The Journey Onwards |
149 |
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Battle Song |
150 |
|
When Wilt Thou Save the People? |
151 |
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Spring |
151 |
|
Song |
152 |
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'A wet sheet and a flowing sea' |
153 |
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Abou Ben Adhem |
154 |
|
Jenny Kissed Me |
154 |
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The Grasshopper and the Cricket |
155 |
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|
The Grave of Love |
155 |
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from Nightmare Abbey |
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|
Three Men of Gotham |
156 |
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from Maid Marian |
|
|
Robin Hood and the Grey Friars |
156 |
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Over, Over |
157 |
|
from Crotchet Castle |
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|
The Priest and the Mulberry Tree |
159 |
|
The War Song of Dinas Vawr |
160 |
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|
The Leveller |
161 |
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|
She Walks in Beauty |
162 |
|
The Destruction of Sennacherib |
162 |
|
from Childe Harold's Pilgrimage |
163 |
|
Lines on Hearing that Lady Byron was Ill |
167 |
|
from Stanzas |
|
|
'When a man hath no freedom' |
168 |
|
Prometheus |
168 |
|
from Don Juan |
170 |
|
Vision of Judgment |
184 |
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|
The Burial of Sir John Moore at Corunna |
208 |
|
Song: 'Oh say not that my heart is cold' |
209 |
|
Song: To Mary |
209 |
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|
The Mask of Anarchy |
210 |
|
England in 1819 |
223 |
|
Ozymandias |
224 |
|
Ode to the West Wind |
224 |
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To a Skylark |
227 |
|
To the Moon |
229 |
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Summer and Winter |
230 |
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Love's Philosophy |
230 |
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Adonais |
231 |
|
One Word is Too Often Profaned |
245 |
|
Music, When Soft Voices Die |
245 |
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|
Written in Northampton County Asylum |
246 |
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Noon |
246 |
|
After Reading in a Letter Proposals for Building a Cottage |
248 |
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Sudden Shower |
249 |
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from The Flitting |
249 |
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|
Sonnets |
250 |
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To ****** |
251 |
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'How many bards gild the lapses of time!' |
251 |
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On First Looking into Chapman's Homer |
252 |
|
On the Grasshopper and Cricket 'Happy is England! I could be content' |
252 |
|
from Endymion |
252 |
|
The Eve of St. Agnes |
255 |
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Ode to a Nightingale |
265 |
|
Ode on a Grecian Urn |
268 |
|
Ode to Psyche |
269 |
|
Ode: 'Bards of Passion and of Mirth' |
271 |
|
To Autumn |
272 |
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Ode on Melancholy |
273 |
|
from Hyperion |
274 |
|
On Oxford. A Parody |
287 |
|
La Belle Dame Sans Merci |
288 |
|
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The Loveliness of Love |
290 |
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Song: 'Sweet in her green dell the flower of beauty slumbers' |
291 |
|
|
She was a Queen |
291 |
|
Song: 'She is not fair to outward view' |
293 |
|
To a Lofty Beauty, from her Poor Kinsman |
293 |
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|
I've Plucked the Berry |
294 |
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|
A Novel of High Life |
294 |
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Autumn |
295 |
|
The Bridge of Sighs |
297 |
|
I remember, I remember |
300 |
|
Ballad: Time of Roses |
301 |
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Horatius |
301 |
|
The Battle of Naseby |
318 |
|
Epitaph on a Jacobite |
320 |
|
The Armada |
320 |
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|
The Wife A-Lost |
322 |
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The Wind at the Door |
323 |
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The Vicar |
324 |
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School and Schoolfellows |
327 |
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The Nameless One |
329 |
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Dark Rosaleen |
331 |
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|
from Death's Jest Book |
333 |
|
Sailors' Song |
334 |
|
Wolfram's Dirge |
334 |
|
Dream-Pedlary |
|
|
|
And Shall Trelawny Die? |
335 |
|
Are They Not All Ministering Spirits? |
336 |
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|
The Shandon Bells |
337 |
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|
from Aurora Leigh |
338 |
|
The Sweetness of England |
340 |
|
The Cry of the Children |
344 |
|
Cowper's Grave |
346 |
|
The Sleep |
|
|
from Sonnets from the Portuguese |
|
|
'I thought once how Theocritus had sung' |
348 |
|
'Unlike are we, unlike, O princely Heart' |
348 |
|
'Thou hast thy calling to some palace-floor' |
349 |
|
'Go from me. Yet I feel that I shall stand' |
349 |
|
'What can I give thee back, O liberal' |
349 |
|
'Yet, love, mere love, is beautiful indeed' |
350 |
|
'If thou must love me, let it be for nought' |
350 |
|
'My letters! all dead paper, ... mute and white!' |
350 |
|
'How do I love thee? Let me count the ways' |
351 |
|
|
The Irish Emigrant |
351 |
|
|
Old Song |
353 |
|
Rubaiyat of Omar Khayyam of Naishapur |
355 |
|
|
Mariana |
366 |
|
The Lady of Shallot |
368 |
|
The Lotos-Eaters |
373 |
|
Ulysses |
374 |
|
Morte D'Arthur |
376 |
|
from The Princess |
|
|
'Tears, idle tears, I know not what they mean' |
382 |
|
'Home they brought her warrior dead' |
382 |
|
'Now sleeps the crimson petal, now the white' |
383 |
|
from In Memoriam |
383 |
|
from Maud |
384 |
|
The Brook |
386 |
|
The Charge of the Light Brigade |
392 |
|
Northern Farmer: New Style |
393 |
|
'Come not, when I am dead' |
396 |
|
|
Little Billee |
396 |
|
The Ballad of Bouillabaisse |
397 |
|
|
The Dong with a Luminous Nose |
400 |
|
Limericks |
|
|
'There was an Old Person of Basing' |
402 |
|
'There was an Old Man of Whitehaven' |
403 |
|
'There was an Old Man of Thermopylae' |
403 |
|
'There was an Old Man who screamed out' |
403 |
|
'There was an Old Person of Bow' |
403 |
|
'How pleasant to know Mr Lear!' |
403 |
|
|
from The Pied Piper of Hamelin |
404 |
|
Fra Lippo Lippi |
405 |
|
Two in the Campagna |
414 |
|
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The Oxford anthology of English poetry, This welcome two-volume reissue of John Wain's classic anthologies celebrates four centuries of English poetry from the Elizabethan era to the present.
Beginning with the English Renaissance poet Edmund Spenser, the collection progresses through the , The Oxford anthology of English poetry to the inventory that you are selling on WonderClub
Add
The Oxford anthology of English poetry, This welcome two-volume reissue of John Wain's classic anthologies celebrates four centuries of English poetry from the Elizabethan era to the present.
Beginning with the English Renaissance poet Edmund Spenser, the collection progresses through the , The Oxford anthology of English poetry to your collection on WonderClub
| |