The mourning of John Lennon Book

Loss and mourning loom over John Lennon's life and legacy. Since his tragic death in 1980, he has embodied our culture's feelings of loss; he has become an object of mourning, of fantasy, of desire. Lennon himself created an aesthetic vocabulary for dealing with loss, pain, and loneliness that is unparalleled in modern times. His personal crises reflect core dimensions of modern social experience, in particular transformations affecting sexuality, masculinity, identity, and fatherhood. In this provocative account, Anthony Elliott places Lennon's life and career in its social context, examining the ways the ex-Beatle has come to symbolize an entire culture's struggle to mourn. Elliott interweaves broad-ranging discussions of celebrity, pop music, politics, feminism, psychoanalysis, and postmodernism with in-depth analyses of Lennon's life and art. Beginning with a brilliant reading of Albert Goldman's bestselling biography, he moves to the loneliness and pain of Lennon's childhood, developing a powerful analysis of songs such as "Strawberry Fields Forever" and "I Am the Walrus." From "Help" to "Mother" to "I'm Losing You," he contends that a consistent exploration of pain and loss in the wider emotional and political world is evident in the body of Lennon's works. Elliott explores the complex, contradictory role of love in Lennon's life, with a particular focus on the themes of guilt and grief, sexuality and desire. He gives careful attention to Lennon's personal relationships—from his marriage to Cynthia Powell to his extraordinary romance with Yoko Ono. Elliott also offers a fresh consideration of Lennon's commitment to radical politics and world peace; a detailed account of his withdrawal from public life and his time as a house-husband in the late 1970s; and an examination of the postmodern, hi-tech "reunion" of The Beatles in 1994, in which John Lennon magically returned from the dead for the recording of "Free as a Bird" and "Real Love." By exploring the ways we remember Lennon—from the endless repackaging of his music to the more serious reappraisals of his significance in contemporary culture—we come to see this modern icon, as well as ourselves, in a new and different light.