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Introduction: likeness, transfiguration, and modern identity: portraiture and the problematics of representation; 1. Courbet and Baudelaire: portraiture against the grain of photography; 2. La Divine Comtesse: (re)presenting the anatomy of the Courtesan; 3. Sarah Bernhardt: portrait of the actress as spectacle; 4. Cézanne: self-portraiture and the problematics of representation; 5. Jacques-Emile Blanche: the Ecriture of a portraitist; 6. Proust and Vuillard: the artist as metaphysician; Epilogue: portraiture as a disappearing and reappearing act.
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Add The Modern Portrait in Nineteenth-Century France, The Modern Portrait in Nineteenth-Century France examines the evolution of portraiture after the advent of photography. Heather McPherson focuses on the portrait as a contested site of representation and the diverse strategies that artists deployed to rev, The Modern Portrait in Nineteenth-Century France to the inventory that you are selling on WonderClubX
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Add The Modern Portrait in Nineteenth-Century France, The Modern Portrait in Nineteenth-Century France examines the evolution of portraiture after the advent of photography. Heather McPherson focuses on the portrait as a contested site of representation and the diverse strategies that artists deployed to rev, The Modern Portrait in Nineteenth-Century France to your collection on WonderClub |