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Acknowledgments | 7 | |
Prologue | 9 | |
Cultural Exchange: Gascoigne and Ariosto at Gray's Inn in 1566 | 25 | |
From Narrative to Drama: The Erotic Tale and the Theater | 41 | |
"Worse than Procne": The Sister as Avenger in the English Renaissance | 71 | |
Music, The Book of the Courtier, and Othello's Soldiership | 89 | |
The Politics of Prose and Drama: The Case of Machiavelli's "Belfagor" | 106 | |
"I have read them all": Jonson's Volpone and the Discourse of the Italianate Englishman | 122 | |
Thomas Middleton, Women Beware Women, and the Myth of Florence | 141 | |
Italy Revisited: John Ford's Last Plays | 165 | |
Intertextualities: Some Questions | 179 | |
Retaliation as an Italian Vice in English Renaissance Drama: Narrative and Theatrical Exchanges | 190 | |
The Italian Every Man in His Humour | 208 | |
Borachio's Indiscretion: Some Noting about Much Ado | 225 | |
Much Ado about Lying: Shakespeare and Sir John Harington in Dialogue with Orlando Furioso | 239 | |
"Bridegroom uncarnate": Comedy and Castration from The Eunuch to Epicoene | 258 | |
Pastoral as Tragicomedic in Italian and Shakespearean Drama | 282 | |
A Device to Fit the Times: Intertextual Allusion in Thomas Middleton's Women Beware Women | 302 | |
Bibliography | 321 | |
List of Contributors | 353 | |
Index | 356 |
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Add The Italian world of English Renaissance drama, It is widely accepted that English Renaissance drama owes its extraordinary richness and variety to the blending of elements originating from the medieval heritage and classical and Italian dramatic traditions. This grafting of the Italian world onto th, The Italian world of English Renaissance drama to your collection on WonderClub |