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Figure acknowledgements | ||
Introduction | 1 | |
1 | Medieval mathematics and optics and the Renaissance style in art | 4 |
2 | Building, drawing and 'artificial perspective' | 20 |
3 | Through the wall: Masaccio's Trinity fresco (c. 1426) | 43 |
4 | Piero della Francesca's mathematics | 62 |
5 | Piero della Francesca's perspective treatise | 80 |
6 | Practitioners and patricians | 114 |
7 | The professionals move in | 143 |
8 | Beyond the ancients | 178 |
9 | Fragmented perspectives | 207 |
App | The abacists' pet triangle, with sides 13, 14, 15 | 235 |
Bibliography | 239 | |
Index | 241 |
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Add The invention of infinity, As any student of art will tell you, one of the chief accomplishments of the Renaissance was the development of perspective in painting—the introduction of spatial perception that led to the legendary beauty and majesty of works by Giotto, Botticelli, and, The invention of infinity to the inventory that you are selling on WonderClubX
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Add The invention of infinity, As any student of art will tell you, one of the chief accomplishments of the Renaissance was the development of perspective in painting—the introduction of spatial perception that led to the legendary beauty and majesty of works by Giotto, Botticelli, and, The invention of infinity to your collection on WonderClub |