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Acknowledgements | ||
1 | Introduction: The Making of Ordinary Images | 1 |
2 | From the Library to the Bank: The Emergence of Stock Photography | 35 |
3 | Shooting for Success: Stock Photography and the Production of Culture | 49 |
4 | The Archive, the Stereotype and the Image-Repertoire: Classification and Stock Photography | 91 |
5 | The Image of Romance: Stock Images as Cultural Performances | 117 |
6 | Rhetorics of the Overlooked: The Communicative Modes of Stock Images | 145 |
7 | And God Created Photoshop: Digital Technologies, Creative Mastery and Aesthetic Angst | 171 |
8 | The Realm of the Info-Pixel: From Stock Photography to the Visual Content Industry | 193 |
9 | Epilogue | 215 |
Sources and Bibliography | 219 | |
Index | 233 |
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Add The Image Factory : Consumer Culture, Photography and the Visual Content Industry, Quietly but implacably, powerful transnational corporations are gaining power over our visual world. A 'global, visual content industry' increasingly controls images supplied to advertisers, marketers and designers, yet so far the process has, parado, The Image Factory : Consumer Culture, Photography and the Visual Content Industry to the inventory that you are selling on WonderClubX
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Add The Image Factory : Consumer Culture, Photography and the Visual Content Industry, Quietly but implacably, powerful transnational corporations are gaining power over our visual world. A 'global, visual content industry' increasingly controls images supplied to advertisers, marketers and designers, yet so far the process has, parado, The Image Factory : Consumer Culture, Photography and the Visual Content Industry to your collection on WonderClub |