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Introduction | ||
The voice, the breath and the soul : song and poverty in Thyrza, Mary Barton, Alton Locke and a child of the Jago | 3 | |
'Cribbed, cabin'd, and confined' : female musical creativity in Victorian fiction | 27 | |
Music, crowd control and the female performer in Trilby | 57 | |
The piano's progress : the piano in play in the Victorian novel | 83 | |
Female performances : melodramatic music conventions and The woman in white | 105 | |
Indecent musical displays : feminizing the pastoral in Eliot's The mill on the floss | 129 | |
'Singing like a musical box' : musical detection and novelistic tradition | 151 | |
The 'perniciously homosexual art' : music and homoerotic desire in The Picture of Dorian Gray and other fin-de-siecle fiction | 173 | |
'You might have called it beauty or poetry or passion just as well as music' : Gertrude Hudson's fictional fantasias | 197 | |
The music master and 'the Jew' in Victorian writing : Thomas Carlyle, Richard Wagner, George Eliot and George Du Maurier | 225 | |
Thomas Carlyle and the grain of the voice | 245 |
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Add The idea of music in Victorian fiction, The Idea of Music in Victorian Fiction seeks to address fundamental questions about the function, meaning and understanding of music in nineteenth-century culture and society, as mediated through works of fiction. The eleven essays here, written by music, The idea of music in Victorian fiction to the inventory that you are selling on WonderClubX
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Add The idea of music in Victorian fiction, The Idea of Music in Victorian Fiction seeks to address fundamental questions about the function, meaning and understanding of music in nineteenth-century culture and society, as mediated through works of fiction. The eleven essays here, written by music, The idea of music in Victorian fiction to your collection on WonderClub |