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Acknowledgments | ||
Introduction | ||
1 | Blinded by the White: The Hidden History of Postwar Racial Politics | 3 |
2 | Racing the Village People: Euro American and African American Cultural and Social Interaction in Greenwich Village, 1945-1966 | 23 |
3 | Caging Bird: Charlie Parker Meets the Postwar Construction of the Jazz Musician | 42 |
4 | (Up)Staging Jazz: Representations of Jazz Performance | 79 |
5 | Improvising the Text: Euro American and African American Approaches to Jazz Narrative | 117 |
Epilogue | 141 | |
Notes | 147 | |
Works Cited | 153 | |
Index | 161 |
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Add The Color of Jazz : Race and Representation in Postwar American Culture, Although now sometimes called America's classical music, jazz has not always been accorde favorable appellations. Accurate though these encomiums may be, they obscure the complex and fractious history of jazz's reception in the U. S. Developing out of t, The Color of Jazz : Race and Representation in Postwar American Culture to the inventory that you are selling on WonderClubX
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Add The Color of Jazz : Race and Representation in Postwar American Culture, Although now sometimes called America's classical music, jazz has not always been accorde favorable appellations. Accurate though these encomiums may be, they obscure the complex and fractious history of jazz's reception in the U. S. Developing out of t, The Color of Jazz : Race and Representation in Postwar American Culture to your collection on WonderClub |