The Witch's Trinity Book

“A gripping, well-told story of faith and truth.”
—Khaled Hosseini, bestselling author of The Kite Runner

“A disturbingly effective historical novel.”
—Boston Globe

“Beautifully written, nary a word out of place, and with a few moments that throw you beyond—the way good books do ... deeply satisfying.”
—San Francisco Chronicle

San Francisco Chronicle Notable Book of 2007

The year is 1507, and severe famine strikes a small town in Germany. A friar arrives from a large city, claiming that the town is under the spell of witches in league with the devil. He brings with him a book called the Malleus Maleficarum—“The Witch’s Hammer.” It is a guide to gaining confessions of witchcraft. The friar promises he will identify the guilty woman who has brought God’s anger upon the town, burn her, and restore bounty.

The elderly Güde Müller suffers stark and frightening visions; none in the village knows this, and Güde herself worries that the sharpness of her mind has begun to fade. Yet of one thing she is absolutely certain: She has become an object of scorn and a burden to her son’s wife. In these desperate times, her daughter-in-law would prefer one less hungry mouth at the family table. As the friar turns his eye on each member of the tiny community, Güde dreads what her daughter-in-law might say to win his favor, and that her secret visions will be revealed.

Publishers Weekly

Agrandmother's family turns against her in Mailman's uneven debut historical about witch trials in 16th-century Germany. The people of Tierkinddorf, on the brink of starvation following years of bad weather and poor crops, suspect a witch has cast a spell on them. Under the guidance of a visiting friar, the townspeople burn at the stake a local healer. When their luck does not improve, attention turns to the healer's longtime friend, Güde Müller, the novel's narrator and a widow who lives with her son, Jost; her daughter-in-law, Irmeltrud; and their two children. Güde has been recently tormented with visions of witches and of the devil disguised as her late husband, and is uncertain whether the apparitions are real. When Jost and the other village men strike out on a hunting expedition, Irmeltrud begins, in her husband's absence, a campaign to finger Güde as a witch. Mailman creates an intense atmosphere of hunger, fear and claustrophobic paranoia, though the secondary cast is flat and Güde's mental state doesn't always allow for lucid narration. Fans of supernatural fiction will want to give this a look. (Sept.)