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| Acknowledgements | xi | |
| Author's Introduction | xii | |
| 1. | Reality's Substance | 3 |
| 2. | Past Knowing | 5 |
| 3. | Reflected Illusions | 7 |
| 4. | Lighting Illumination | 9 |
| 5. | Whole's Part | 11 |
| 6. | An Eternal Now | 13 |
| 7. | Knowledge's Unknowing | 15 |
| 8. | Reality's Illusion | 17 |
| 9. | Our Identifiable Purpose | 19 |
| 10. | Discovering Discovery | 21 |
| 11. | Finalizing Thought | 23 |
| 12. | Knowing Only Form | 25 |
| 13. | No Substantiations Needed | 27 |
| 14. | Knowledge's Threshold | 29 |
| 15. | One in the Many | 31 |
| 16. | Going Beyond Unknowing | 33 |
| 17. | Reality's Dynamic | 35 |
| 18. | Designed Reconnections | 37 |
| 19. | Form's Perspective | 39 |
| 20. | Space's Reality | 41 |
| 21. | Design's Arrival | 43 |
| 22. | Self Projection | 45 |
| 23. | Balanced Transcendence | 47 |
| 24. | An Emerging Nothingness | 49 |
| 25. | No Knowing | 51 |
| 26. | Nothing's Accommodation | 53 |
| 27. | Movement's Movement | 55 |
| 28. | Transcending Shadows | 57 |
| 29. | Design's Reality | 59 |
| 30. | Space's Revelation | 61 |
| 31. | Time's Veil | 63 |
| 32. | Design's Sameness | 65 |
| 33. | Same Differences | 67 |
| 34. | Agreed Upon Correspondences | 69 |
| 35. | Undivided Pairing | 71 |
| 36. | Reality's Demand | 73 |
| 37. | Form's Significance | 75 |
| 38. | Known Remembrances | 77 |
| 39. | Defined Oneness | 79 |
| 40. | The Birthing of Oneself | 81 |
| 41. | Unlimited Design | 83 |
| 42. | No Longer Secrets | 85 |
| 43. | Reality's Renewal | 87 |
| 44. | One's Imagination | 89 |
| 45. | True Knowing | 91 |
| 46. | Form's Thought | 93 |
| 47. | Symphonic Wholeness | 95 |
| 48. | Time Changes | 97 |
| 49. | Design's Coordination | 99 |
| 50. | Form's Knowledge | 101 |
| 51. | Balancing Form | 103 |
| 52. | Fact's Matter | 105 |
| 53. | Reality's Sense | 107 |
| 54. | Synchronistic Events | 109 |
| 55. | Design's Recognition | 111 |
| 56. | Changing Consciousness | 113 |
| 57. | Design's Discovery | 115 |
| 58. | Bringing Awareness | 117 |
| 59. | Desire's Potential | 119 |
| 60. | Form's Faithfulness | 121 |
| 61. | Probable Events | 123 |
| 62. | Probable Tao | 125 |
| 63. | Internal Existences | 127 |
| 64. | Probabilities Ending | 129 |
| 65. | Love Patterns | 131 |
| 66. | Searching for Balance | 133 |
| 67. | Significant Appearances | 135 |
| 68. | Form's Substance | 137 |
| 69. | Conscious Quest | 139 |
| 70. | Meaningless Significance | 141 |
| 71. | Design's Relativity | 143 |
| 72. | Active Knowingness | 145 |
| 73. | Not Knowing | 147 |
| 74. | Points of Investigation | 149 |
| 75. | Creativity Arises | 151 |
| 76. | Design's Self Knowing | 153 |
| 77. | Distinct Presuppositions | 155 |
| 78. | Nothing's Accommodation | 157 |
| 79. | Design Re-affirmation | 159 |
| 80. | Design Isn't | 161 |
| 81. | Design in the Moment | 163 |
| References | 165 | |
| Illustrations | 167 | |
| About the Artist | 179 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Delia Ephron
reviewed The Tao Of The Circles on September 24, 2020
The Tao Of The Circles
Interesting read. Always enjoyed Japanese viewpoint on beauty, even subscribed to beauty magazines such as BIST and Karada ni ii koto. Some things are surprising, but it helps me to understand Japanese ideals...
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Add The Tao Of The Circles, The Tao of the Circles affords the reader an intimate, sensitive and spiritual insight into the enigma described as the crop circle phenomenon. Design, which is the handmaiden of the Tao, is the principle vehicle used to present the mystery of the crop ci, The Tao Of The Circles to your collection on WonderClub |