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Preface | ||
1 | Introduction | 1 |
2 | In search of a new subject | 28 |
3 | The spoken subject : Han Shaogong's cripples | 60 |
4 | In the maddening crowd : self and other in Can Xue's fiction | 92 |
5 | The post-Mao traveler on the New Long March | 127 |
6 | Mirror of self : the foreign other in Mo Yan's Large breasts and full hips | 154 |
7 | Appropriation and representation : the intellectual self in the early 1990s | 179 |
Epilogue | 224 | |
Notes | 237 | |
Bibliography | 257 | |
Index | 303 |
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Add The Subject in Crisis in Contemporary Chinese Literature, Cai (Chinese, Emory U.) examines representations of the self in the works of contemporary Chinese writers Han Shaogong, Can Xue, Yu Hua, Mo Yan, and Jia Pingwa. She examines the representations of the crippled self or the problematic subject as a form of , The Subject in Crisis in Contemporary Chinese Literature to the inventory that you are selling on WonderClubX
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Add The Subject in Crisis in Contemporary Chinese Literature, Cai (Chinese, Emory U.) examines representations of the self in the works of contemporary Chinese writers Han Shaogong, Can Xue, Yu Hua, Mo Yan, and Jia Pingwa. She examines the representations of the crippled self or the problematic subject as a form of , The Subject in Crisis in Contemporary Chinese Literature to your collection on WonderClub |